こんにちは、ゲスト

ショッピングカート

商品詳細

ジャズ

【CD】

Everybody Digs Bill Evans/New Jazz Conceptions

Bill Evans (Piano)

  • オンラインキャンペーン価格
    ジャズ スペシャルプライス 7%オフ

販売中

在庫わずか

発送までの目安:3日~5日

※店舗から取り寄せる商品となります

※発送されてからお届けまでの日数は、地域により異なります

※セブン-イレブン受け取りサービスをご利用される場合、配送に3~4日かかります

※入荷の見込みがないことが確認された場合や、ご注文後40日前後を経過しても入荷がない場合は、取り寄せ手配を終了し、この商品をキャンセルとさせていただきます

  • 通常価格(税込)
    ¥1,327
  • セール価格(税込)
    ¥1,234
    ¥93 (7 %) オフ
  • ポイント数
    11 ポイント

カートに入れる

消費税率変更のお知らせ

欲しい物リストに追加  

カートに追加しました。


Everybody Digs Bill Evans/New Jazz Conceptions

Bill Evans (Piano)

カートインに失敗しました。再度お試しください。

ジャンル別のオススメ

商品の情報

発売日

2008年02月14日

フォーマット

CD

構成数

2

製造国

輸入

レーベル

Not Now Music

規格品番

NOT2CD299

商品の紹介

  • Everybody Digs Bill Evans was a landmark recording for the young pianist and sported a unique album cover, featuring written-out endorsements from Miles Davis, George Shearing, Ahmad Jamal, and Cannonball Adderley. At a time approximate to when Evans was performing with the famous Kind of Blue band of Davis, Adderley, and John Coltrane, and actually departing the band, Evans continued to play the trio music he was ultimately best known for. With the unmatched pair of former Miles Davis drummer Philly Joe Jones and bassist Sam Jones (no relation), Evans was emerging not only as an ultra-sensitive player, but as an interpreter of standards second to none. The drummer is quite toned down to match the dynamics of the session, while the ever-reliable bassist lays back even more than usual, but at the expense of his soul. Of the covers, the solo "Lucky to Me" and the melancholy "What Is There to Say?" with the trio evoke the cool, smoldering emotionalism Evans was known for. He's even more starkly reserved on his solo version of "Young and Foolish." But Evans also knows how to play vigorous bop, tearing up the complicated "Oleo," and he modestly tackles the Gigi Gryce icon "Minority," though if you listen closely, the takes are slightly imprecise and a bit thin. Evans is hyperactive on a clattery calypso version of "Night and Day," with the melody almost an afterthought, powered by the precise drumming of Philly Joe Jones. Taking "Tenderly" in waltz time, Evans makes this familiar theme inimitably all his own. There are three more solos: two Asian-inspired interludes titled "Epilogue" and the demure and ultimately quiet "Peace Piece," a timeless, meditational, reverent, prayer-inspired composition that, in time, set a standard for chamber/classical European-tailored jazz. In an alternate/second-version bonus track, Evans superimposes this theme under the standard "Some Other Time," and it fits beautifully. Though not his very best effort overall, Evans garnered great attention, and rightfully so, from this important album of 1958. ~ Michael G. Nastos|

    Rovi

作品の情報

ゲスト

メイン

その他

収録内容

構成数 | 2枚

合計収録時間 | 00:42:56

Bill Evas Trio: Bill Evans (piano); Sam Jones (bass); Philly Joe Jones (drums).

  1. 1. [CD]

    タイトル

    時間

    WMA

    HTML

    クレジット

    1.

    I Love You

    close

    2.

    Five

    close

    3.

    I Got It Bad (and That Ain't Good)

    close

    4.

    Conception

    close

    5.

    Easy Living

    close

    6.

    Displacement

    close

    7.

    Speak Low

    close

    8.

    Waltz For Debby

    close

    9.

    Our Delight

    close

    10.

    My Romance

    close

  2. 2. [CD]

    タイトル

    時間

    WMA

    HTML

    クレジット

    1.

    Minority

    close

    2.

    Young and Foolish

    close

    3.

    Lucky To Be Me

    close

    4.

    Night and Day

    close

    5.

    Epilogue #1

    close

    6.

    Tenderly

    close

    7.

    Peace Piece

    close

    8.

    What is There To Say?

    close

    9.

    Oleo

    close