〈オンライン＆マケプレ〉全品15％ポイント還元キャンペーン開催期間：2025年12月25日(木)0:00～12月26日(金)23:59まで！[※期間中のご予約・お取り寄せ・ご注文が対象 ※店舗取置・店舗予約サービスは除く]
Soul/Club/Rap
CDアルバム

Black Moses

0.0

販売価格

¥
2,790
税込
ポイント15%還元
380pt

販売中

お取り寄せ
発送目安
2日～7日

お取り寄せの商品となります

入荷の見込みがないことが確認された場合や、ご注文後40日前後を経過しても入荷がない場合は、取り寄せ手配を終了し、この商品をキャンセルとさせていただきます。

在庫表示と発送目安について
この商品を出品する
店舗取り置きサービスについて
この商品のコレクション情報を確認する
コレクション機能とは？
フォーマット CDアルバム
発売日 2009年04月14日
国内/輸入 輸入
レーベルFantasy Records (USA)
構成数 2
パッケージ仕様 -
規格品番 7231238
SKU 888072312388

構成数 : 2枚
合計収録時間 : 01:33:35
Personnel: Isaac Hayes (vocals, piano, electric piano, organ, vibraphone); Charles Pitts (guitar); Sidney Kirk (piano); Lester Snell (electric piano); Ronald Hudson (bass); Willie Hall (drums, tambourine); Gary Jones (bongos, congas); Hot Buttered Soul (background vocals); The Bar-Kays. Originally released on Enterprise (2-5003). Includes liner notes by Chester Higgins. Digitally remasterd by Kirk Felton (1989, Fantasy Studios). Personnel: Isaac Hayes (vocals, piano, electric piano, organ); Charles "Skip" Pitts (guitars); Sidney Kirk (piano); Lester Snell (electric piano); Ronnie Hudson (bass guitar); Willie Hall (drums, tambourine); Gary Jones (congas, bongos). Audio Remasterer: Bob Fisher . Audio Remixer: Ron Capone. Liner Note Author: Rob Bowman. Arrangers: Dale Warren; Isaac Hayes; Johnny Allen; Pat Lewis. Isaac Hayes is nothing if not ambitious, and this double-disc collection is a case in point. Released the same year as the breakthrough SHAFT soundtrack, 1971's BLACK MOSES melds Hayes's superior skills as an architect of progressive soul sounds with his talent as a song interpreter. Except for his smooth, boudoir-savvy "raps"--there are three within the set, acting as intros to songs about love and devotion--Hayes's own songwriting energies take a backseat to tunes by some of the preeminent pop songwriters of the '70s. Clifton Davis's magnificent "Never Can Say Goodbye" is given loving--and arguably definitive--treatment here. In its rich majesty, Hayes's reading of Kris Kristofferson's "For the Good Times" provides an intriguing counterpart to Al Green's spare 1972 version of the same tune. Two Bacharach-David songs, "I'll Never Fall in Love Again" and "Close to You," sound not at all misplaced beside two Curtis Mayfield numbers. That's because Hayes (and his collaborator Johnny Allen) re-imagined the songs into new versions via lush, orchestral charts, so that each tune bears the team's stamp indelibly. Though full of covers, BLACK MOSES is an Isaac Hayes record through and through, and in its continuity and smarts, one of his finest.
エディション : Remaster
録音 : ステレオ (Studio)

  1. 1.[CDアルバム] DISC 1:
    1. 1.
      Never Can Say Goodbye

      アーティスト： Isaac Hayes

    2. 2.
      (They Long to Be) Close to You

      アーティスト： Isaac Hayes

    3. 3.
      Nothing Takes the Place of You

      アーティスト： Isaac Hayes

    4. 4.
      Man's Temptation

      アーティスト： Isaac Hayes

    5. 5.
      Part-Time Love

      アーティスト： Isaac Hayes

    6. 6.
      Medley: Ike's Rap IV/A Brand New Me

      アーティスト： Isaac Hayes

    7. 7.
      Going in Circles

      アーティスト： Isaac Hayes

  2. 2.[CDアルバム] DISC 2:
    1. 1.
      Never Gonna Give You Up

      アーティスト： Isaac Hayes

    2. 2.
      Medley: Ike's Rap II/Help Me Love

      アーティスト： Isaac Hayes

    3. 3.
      Need to Belong to Someone

      アーティスト： Isaac Hayes

    4. 4.
      Good Love

      アーティスト： Isaac Hayes

    5. 5.
      Medley: Ike's Rap lll/Your Love Is So Doggone Good

      アーティスト： Isaac Hayes

    6. 6.
      For the Good Times

      アーティスト： Isaac Hayes

    7. 7.
      I'll Never Fall in Love Again

      アーティスト： Isaac Hayes

作品の情報

メイン
アーティスト： Isaac Hayes

その他
アーティスト： The Bar-Kays

商品の紹介

Rolling Stone (p.79) - 4 stars out of 5 -- "[Hayes] mourns a collapsed marriage across two discs that seem to spin in slow motion as Hayes flexes masculine strength through vulnerability." Spin (p.95) - "[Hayes] played the prophet of heartbreak, delivering two platters of wistful covers wrapped in symphonic strings..." Uncut - 3 stars out of 5 -- "What he brought to the '70s party, apart from sheer chutzpah...was sonic nous, the ability to play an entire studio and to integrate technical innovations like fuzztone and wah-wah guitars." Living Blues (p.62) - "BLACK MOSES is an emotionally lush set....BLACK MOSES is probably most closely associated with its lead single, Haye's stirring version of the Jackson 5's 'Never Can Say Goodbye'..." Pitchfork (Website) - "[I]t was a massively ambitious statement album, a collection of covers and originals that documented the collapse of Hayes' marriage. It was an enormous success..." Record Collector (magazine) (p.94) - 5 stars out of 5 -- "Hayes' most heartbreakingly intimate, emotionally sincere and brave release." Clash (Magazine) (p.112) - "This album's spiraling grooves and lush sonic landscapes have inspired everyone from hip hop producers to Portishead..."
Rovi

The sheer tenacity -- albeit undeniably fitting -- of this double-disc set has made Black Moses (1971) one of Isaac Hayes' most revered and best-known works. The multi-instrumental singer/songwriter and producer had been a central figure in the Memphis soul music revolution of the mid-'60s. Along with Booker T. & the MG's, Hayes wrote and performed on more Stax sides than any other single artist. By the time of this release -- his fifth overall, and first two-record set -- Hayes had firmly established himself as a progressive soul artist. His stretched-out and well-developed R&B jams, as well as his husky-voiced sexy spoken "raps," became key components in his signature sound. Black Moses not only incorporates those leitmotifs, but also reaffirms Hayes abilities as an unmistakably original arranger. Although a majority of the album consists of cover material, all the scores have been reconfigured and adapted in such a fundamental way that, for some listeners, these renditions serve as definitive. This is certainly true of the extended reworkings of Jerry Butler's "Brand New Me" and Esther Phillips' "You're Love Is So Doggone Good" -- both of which are prefaced by the spoken prelude to coitus found in each respective installment of "Ike's Rap." The pair of Curtis Mayfield tunes -- "Man's Temptation" and "Need to Belong to Someone" -- are also worth noting for the layers of tastefully scored orchestration -- from both Hayes and his longtime associate Johnny Allen. The pair's efforts remain fresh and discerning, rather than the dated ersatz strings and horn sections that imitators were glutting the soul and pop charts and airwaves with in the mid-'70s. Hayes' own composition, "Good Love," recalls the upbeat and jive talkin' "Hyperbolicsyllabicsesquedalymistic" from Hot Buttered Soul (1969), adding some spicy and sexy double-entendre in the chorus. ~ Lindsay Planer
Rovi

メンバーズレビュー

レビューを書いてみませんか？

読み込み中にエラーが発生しました。

画面をリロードして、再読み込みしてください。