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Patti LuPone At Les Mouches

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フォーマット CDアルバム
発売日 2008年11月11日
国内/輸入 輸入
レーベルGhostlight
構成数 1
パッケージ仕様 -
規格品番 GHOL833152
SKU 791558331523

構成数 : 1枚
合計収録時間 : 01:10:22
In 1980, during her Tony-winning run as the title character in Evita on Broadway, Patti LuPone also performed a once-a-week, Saturday-night-at-midnight nightclub act at a club called Les Mouches for 27 weeks, starting on March 1. Having rushed downtown and put on a tuxedo, she fronted a piano/guitar/bass/drums quartet in an act that combined traditional pop standards (Cole Porter's "Love for Sale") with songs associated with her ("Meadowlark" from her show The Baker's Wife and, inevitably, "Don't Cry for Me, Argentina") and some contemporary pop/rock numbers (Patti Smith's "Because the Night," the Kinks' "[Wish I Could Fly Like] Superman"). Her performances were not recorded professionally, but somebody, probably musical director David Lewis, taped some of the shows off the soundboard, and those cassette tapes moldered in a shoebox in a closet for more than a quarter-century before being retrieved and restored for this album. The result doesn't have the sound quality of a typical live recording, of course, but LuPone's voice is clear and the band, though under-recorded, is audible. The more densely arranged songs suffer the most, so that, for instance, the amusing "Heaven Is a Disco" is muddy and distorted. But listeners should have no trouble overlooking the audio deficiencies and enjoying the show. LuPone is giddy and giggling, often seeming nervous. (Much of the disc seems to have been recorded at the closing performance attended by several VIPs, among them Stephen Sondheim.) But that doesn't keep her from singing well. She is best at her signature songs, particularly "Meadowlark," but she gets points for trying unlikely choices like "Because the Night," even if they don't quite work. (Here, a louder band performance would have helped, but LuPone simply is no rocker.) This is not the definitive LuPone recording, but fans will welcome it as a historical artifact and a fun show. ~ William Ruhlmann

  1. 1.[CDアルバム]
    1. 1.
      Intro

      アーティスト: Patti LuPone

    2. 2.
      Latin From Manhattan / I Got Rhythm

      アーティスト: Patti LuPone

    3. 3.
      I've Got Them Feelin' Too Good Today Blues

      アーティスト: Patti LuPone

    4. 4.
      Love for Sale

      アーティスト: Patti LuPone

    5. 5.
      Not While I'm Around / Come Rain Or Come Shine

      アーティスト: Patti LuPone

    6. 6.
      Meadowlark

      アーティスト: Patti LuPone

    7. 7.
      Squeeze Me

      アーティスト: Patti LuPone

    8. 8.
      Heaven Is A Disco

      アーティスト: Patti LuPone

    9. 9.
      Downtown

      アーティスト: Patti LuPone

    10. 10.
      Street Of Dreams

      アーティスト: Patti LuPone

    11. 11.
      Because The Night

      アーティスト: Patti LuPone

    12. 12.
      Mr. Tambourine Man

      アーティスト: Patti LuPone

    13. 13.
      Everything I Am

      アーティスト: Patti LuPone

    14. 14.
      Rainbow High

      アーティスト: Patti LuPone

    15. 15.
      Don't Cry For Me, Argentina

      アーティスト: Patti LuPone

    16. 16.
      Look To The Rainbow

      アーティスト: Patti LuPone

    17. 17.
      Superman (I Wish I Could Fly)

      アーティスト: Patti LuPone

    18. 18.
      It Goes Like It Goes

      アーティスト: Patti LuPone

    19. 19.
      Thank Yous

      アーティスト: Patti LuPone

    20. 20.
      Goodnight Sweetheart

      アーティスト: Patti LuPone

作品の情報

メイン
アーティスト: Patti LuPone

商品の紹介

In 1980, during her Tony-winning run as the title character in Evita on Broadway, Patti LuPone also performed a once-a-week, Saturday-night-at-midnight nightclub act at a club called Les Mouches for 27 weeks, starting on March 1. Having rushed downtown and put on a tuxedo, she fronted a piano/guitar/bass/drums quartet in an act that combined traditional pop standards (Cole Porter's "Love for Sale") with songs associated with her ("Meadowlark" from her show The Baker's Wife and, inevitably, "Don't Cry for Me, Argentina") and some contemporary pop/rock numbers (Patti Smith's "Because the Night," the Kinks' "[Wish I Could Fly Like] Superman"). Her performances were not recorded professionally, but somebody, probably musical director David Lewis, taped some of the shows off the soundboard, and those cassette tapes moldered in a shoebox in a closet for more than a quarter-century before being retrieved and restored for this album. The result doesn't have the sound quality of a typical live recording, of course, but LuPone's voice is clear and the band, though under-recorded, is audible. The more densely arranged songs suffer the most, so that, for instance, the amusing "Heaven Is a Disco" is muddy and distorted. But listeners should have no trouble overlooking the audio deficiencies and enjoying the show. LuPone is giddy and giggling, often seeming nervous. (Much of the disc seems to have been recorded at the closing performance attended by several VIPs, among them Stephen Sondheim.) But that doesn't keep her from singing well. She is best at her signature songs, particularly "Meadowlark," but she gets points for trying unlikely choices like "Because the Night," even if they don't quite work. (Here, a louder band performance would have helped, but LuPone simply is no rocker.) This is not the definitive LuPone recording, but fans will welcome it as a historical artifact and a fun show. ~ William Ruhlmann|
Rovi

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