Rock/Pop
CDアルバム

Bruford Levin Upper Extremities [4/7]

0.0

販売価格

¥
1,990
税込
還元ポイント

在庫状況 について

フォーマット CDアルバム
発売日 2008年11月03日
国内/輸入 輸入
レーベルUnited States Of Distribution LTD.
構成数 1
パッケージ仕様 -
規格品番 USD-CD-1338
SKU 604388330126

構成数 : 1枚
合計収録時間 : 00:54:48

  1. 1.[CDアルバム]
    1. 1.
      Cerulean Sea
    2. 2.
      Interlude
    3. 3.
      Original Sin
    4. 4.
      Etude Revisited
    5. 5.
      Palace of Pearls, A (On a Blade of Grass)
    6. 6.
      Interlude
    7. 7.
      Fin de Siecle
    8. 8.
      Drumbass
    9. 9.
      Cracking the Midnight Glass
    10. 10.
      Torn Drumbass
    11. 11.
      Thick With Thin Air
    12. 12.
      Cobalt Canyons
    13. 13.
      Interlude
    14. 14.
      Deeper Blue
    15. 15.
      Presidents Day

作品の情報

メイン
アーティスト: Bruford Levin Upper Extremities

商品の紹介

Bill Bruford and Tony Levin were the mainstays of the 1980s and 1990s King Crimson, one of rock's most consistently creative groups, and together are among the best rhythm sections in rock music. They played with David Torn on Torn's 1987 release Clouds About Mercury, and in 1998 they got together with him again. As on Clouds, they formed a quartet with a trumpeter, but instead of Mark Isham they enlisted Chris Botti, since Levin had worked on Botti's 1997 Midnight Without You release. On about half the tracks, Bruford, Levin and Torn display a high-energy rock music, like the opening "Cerulean Sea," with Torn and Bruford playing in polyrhythms, and "Cracking the Midnight Glass," a powerful piece with echoes of Led Zeppelin that Bruford calls "the power trio incarnate." The three also play some quiet, atmospheric music on "Thick With Thin Air," which is also one of the showpieces here for Bruford's electronic drums. Chris Botti plays on the other half, and provides them with a cool jazz feeling. His melodic work is highlighted on the jazzy Bruford composition "Original Sin" and in a lovely duet with Levin on "Fin de Siècle," but his trumpet adds coloring in the fanfares of "Presidents Day," the haunting lead of "Deeper Blue," and the reprise of an etude from Levin's solo album World Diary. There are also a number of short interludes of Bruford playing a derelict piano in Levin's garage, and both Bruford and Levin simultaneously playing a drum and bass contraption. ~ Caleb Deupree|
Rovi

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