Jazz
CDアルバム

Stereokonitz

0.0

販売価格

¥
2,079
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 1998年10月23日
国内/輸入 輸入
レーベルBMG Entertainment
構成数 1
パッケージ仕様 -
規格品番 74321591462
SKU 743215914624

構成数 : 1枚
合計収録時間 : 00:34:44
Lee Konitz has had many opportunities to record with European artists over the decades, but this session is a bit unusual, in that all the compositions are by bassist Giovanni Tommaso and Konitz doesn't stick strictly to alto saxophone. Joining them are pianist Franco D'Andrea (with whom Konitz worked on a number of Philology CDs decades later), trumpeter Enrico Rava and drummer Gege Munari. Tommaso's charts delve into bop and cool, with Konitz primarily playing the Varitone (a form of electronic saxophone that was experimented with briefly and abandoned by reed players in the late '60s), though he does play some alto sax and also makes a rare appearance on flute (doubling on it in "Take Seven"). While the music from this 1968 session is enjoyable, even though the sound quality of the Varitone pales when compared to a regular saxophone, this remains one of Lee Konitz's more obscure recordings from the '60s, even if this European LP was finally reissued on CD (again, only in Europe) three decades later. ~ Ken Dryden

  1. 1.[CDアルバム]
    1. 1.
      A Minor Blues

      アーティスト: Lee Konitz

    2. 2.
      Five, Four and Three

      アーティスト: Lee Konitz

    3. 3.
      Komonia

      アーティスト: Lee Konitz

    4. 4.
      Midnight Mood

      アーティスト: Lee Konitz

    5. 5.
      Terre Lontane

      アーティスト: Lee Konitz

    6. 6.
      Take Seven

      アーティスト: Lee Konitz

    7. 7.
      Giovani d'Oggi

      アーティスト: Lee Konitz

    8. 8.
      Tune Down

      アーティスト: Lee Konitz

作品の情報

メイン
アーティスト: Lee Konitz

商品の紹介

Lee Konitz has had many opportunities to record with European artists over the decades, but this session is a bit unusual, in that all the compositions are by bassist Giovanni Tommaso and Konitz doesn't stick strictly to alto saxophone. Joining them are pianist Franco D'Andrea (with whom Konitz worked on a number of Philology CDs decades later), trumpeter Enrico Rava and drummer Gege Munari. Tommaso's charts delve into bop and cool, with Konitz primarily playing the Varitone (a form of electronic saxophone that was experimented with briefly and abandoned by reed players in the late '60s), though he does play some alto sax and also makes a rare appearance on flute (doubling on it in "Take Seven"). While the music from this 1968 session is enjoyable, even though the sound quality of the Varitone pales when compared to a regular saxophone, this remains one of Lee Konitz's more obscure recordings from the '60s, even if this European LP was finally reissued on CD (again, only in Europe) three decades later. ~ Ken Dryden|
Rovi

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