Jazz
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Go Live In Paris

3.0

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フォーマット CDアルバム
発売日 2009年01月29日
国内/輸入 輸入
レーベルEsoteric Records
構成数 1
パッケージ仕様 -
規格品番 ECLEC2086
SKU 5013929718623

構成数 : 1枚
合計収録時間 : 01:03:49
Personnel: Stomu Yamashta (piano, keyboards, percussion); Steve Winwood (vocals, piano, electric piano, Fender Rhodes piano, keyboards); Karen Friedman (vocals); Al Di Meola, Pat Thrall (guitar, electric guitar); Klaus Schulze (synthesizer); Jerome Rimson (electric bass); Michael Shrieve (drums); Brother James (congas). Audio Remasterer: Ben Wiseman . Liner Note Author: Jon Wright. Recording information: Palais De Sports, Paris, France (06/12/1976); Paris, France (06/12/1976). The primary difference when comparing this live performance and the rendering simply titled Go (1976) is that Go Live From Paris (1978) presents the proceedings (as they exist) in a properly linear fashion, as correlated to the Eastern mythology that informed the extended two-part suite. This is in direct contrast to Go, which assembled the contents out of sequence. The stage show was recorded at the Palais Des Sports in Paris, France on June 12, 1976 and the recital setting allows for considerably longer and more exploratory interaction amongst Stomu Yamashta (percussion/piano), Steve Winwood (vocals/keyboards) and Michael Shrieve (drums). They are joined by legendary jazz axeman Al DiMeola (guitar) as well as Tangerine Dream and Ash Ra Tempel veteran Klaus Schulze (synthesizer) -- all of whom had contributed to Go. Filling out the band are Jerome Rimson (bass), Pat Thrall (guitar), Brother James (congas) and Karen Friedman (vocals). In terms of sheer intensity, it is hard to beat DiMeola's searing leads and Winwood's blue-eyed soul on the driving "Ghost Machine," easily topping its former incarnation. "Surfspin" lands into the funky mid-tempo "Time Is Here" highlighted by Karen Friedman's expressive exchanges with Winwood, while Rimson punctuates the rhythm with some penetrating bass interjections. This is followed by the sole Winwood composition "Winner/Loser," which further exemplifies how the spontaneity of the concert yields results that best their predecessors. In fact, on the whole the material on Go sounds like a blueprint for the exceptional and inspired outing found here. The second movement commences with fairly even renditions of the trifecta "Solitude," "Nature" and "Air Voice" -- which had previously been given the name "Air Over." "Crossing the Line" is an additional zenith, spotlighted by Winwood's emotive vocals and the untamed and otherwise incendiary frenzy of fretwork courtesy of DiMeola. Clocking in just shy of a quarter-hour, "Man of Leo" provides another opportunity for the players to loosen up and fuse their collective improvisations behind DiMeola's intense soloing and the similarly seminal instrumental offerings from Shrieve, Rimson -- who is at his most melodic -- and Freidman's haunting warbles. In 2004, Hip-O Select compiled both Go and the companion Go Live From Paris (1977) on to a limited-edition (of 2,500 copies) two-CD set remastered by Gavin Lurssen and includes all of the original notations, lyrics and artwork within a 16-page liner booklet. ~ Lindsay Planer
録音 : ステレオ (Live)

  1. 1.[CDアルバム]
    1. 1.
      Space Song
    2. 2.
      Carnival
    3. 3.
      Windspin
    4. 4.
      Ghostmachine
    5. 5.
      Surfspin
    6. 6.
      Time Is Here
    7. 7.
      Winner/Loser
    8. 8.
      Solitude
    9. 9.
      Nature
    10. 10.
      Air Voice
    11. 11.
      Crossing the Line
    12. 12.
      Man of Leo
    13. 13.
      Stellar
    14. 14.
      Space Requiem

作品の情報

メイン
アーティスト: Stomu Yamash'ta

メンバーズレビュー

2件のレビューがあります
3.0
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つまり“Go”=フュージョン/プログレッシヴ界の“We Are The World”(笑)。いまTihomir Pop Asanovicの“Majko Zemlo”(74年)がとても欲しいのですが、いかんせんCD化されておらず、中古LPで¥32,000以上。Prog ArchivesやJet Setで引っ張れる曲もセンス抜群ながらYou Tubeのヴォーカル入り疾走ナンバーがダントツ◎。“Good God!:Heavy Funk Cover Of James Brown From All Over The World 1968-74”注目。
2009/04/20 Nishaさん
0
本作のみ欲しいような気もするが......やめておきます、そんな余裕があるならEMBRYO、ICEBERG、MODRY EFEKT、XHOL-CARAVANを入手します(笑)。YOU TUBEでLILAC ANGELSの79年スタジオ演奏“ROCK&ROLL LADY”を見、LA DUSSELDORFがダミ声ロックンロール化しているようなサウンドを確認。3rdのプロデューサー=コニー先生でないらしいものの、コニー/CAN両スタジオで制作されているとか。
2009/04/18 Nishaさん
0

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