Nineteen Sixty Six (The David Axelrod & HB Barnum Sessions)

構成数 : 1枚
合計収録時間 : 00:00:00
Personnel: William Edgar John (vocals); Dennis Budimir, Jeff Kaplan, Les Buie, Arthur Wright (guitar); Clifford Scott (tenor saxophone); Jim Horn (baritone saxophone); Freddie Hill, Tony Terran (trumpet); Gerald Wiggins , Tommy Strode (piano, electric piano, organ); Gary Coleman (vibraphone, percussion); Carol Kaye (electric bass); Earl Palmer (drums). Recording information: Capitol Tower, Hollywood, CA (1966). Author: David Axelrod . Director: Hidle Brown Barnum. Arranger: Hidle Brown Barnum. Though no Little Willie John discs of material recorded after his imprisonment for murder in October 1964 were issued between that time and his death (in jail) in May 1968, he did actually record quite a few tracks for Capitol in February 1966. These recordings (supervised by David Axelrod and H.B. Barnum) were unreleased both at the time and for decades afterward, in part because King Records (John's previous label) contested Capitol's right to issue the cuts. This 2008 CD of 20 tracks from the sessions, recorded at a time when he was out on appeal, can thus be considered as a genuine lost Little Willie John album. (And despite the number of songs, there would have only been enough for one LP, since there are two versions of eight of the numbers.) For someone with a murder sentence hanging over him, John sounds remarkably unaffected and at ease, and indeed pretty much the same as he did in his classic King period, albeit a little more mature. Much the same can be said for the arrangements, which update his sound a little into the mid-'60s, but draw considerably from lightly swinging jazz and even a bit of easy listening pop in addition to soul. There are a few remakes of songs he'd cut at King, as well as some standards and R&B-oriented tunes (and, disappointingly, just one original John composition). Would this have reestablished John as a star had he won his appeal and Capitol been allowed to put the material out? Probably not; there aren't any songs that scream "hit," and that was still the name of the game in the R&B market. But if it had been somehow marketed as a comeback album, without expectations that it would be a huge seller -- in the manner that respectable efforts by R&B and rock veterans were, many times over, in subsequent decades -- it would have been well received, as John sings well and the material is sympathetic, if not quite outstanding. For all these reasons, this doesn't rank among his best work; his best King sides remain the place to start. But for the same reasons, it will be enthusiastically and justifiably welcomed by Little Willie John fans as a significant discovery, at a time when few such substantial unreleased bodies of work from soul's golden age seemed to remain at large. ~ Richie Unterberger
録音 : ステレオ (Studio)