Rock/Pop
CDアルバム

Slania :Tour Edition<限定盤>

0.0

販売価格

¥
3,190
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2008年10月20日
国内/輸入 輸入
レーベルNuclear Blast
構成数 2
パッケージ仕様 ボックス
規格品番 NB22455
SKU 727361224523

構成数 : 2枚
合計収録時間 : 00:50:04
Coming out of a shadow-draped, magical forest near you, Switzerland's Eluveitie follow in the boot-steps of genre-bending ensembles like Skyclad, Finntroll and Turisas, among others, who armed themselves with pagan themes and folk instrumentation in an attempt to push heavy metal toward unexpected new directions. 2008's Slania is only Eluveitie second full album (and first for Nuclear Blast), but its unlikely mixture of melodic death metal and authentic Celtic folk music already sounds remarkably accomplished, despite the seemingly vast stylistic gulf that separates their two chief sources of inspiration. Then again, Eluveitie rarely stick out their collective songwriting neck so recklessly as to tempt the falling axe of artificial inter-genre crossbreeding. Rather, the octet roots typical songs like "Primordial Breath," "Bloodstained Ground," and "Calling the Rain" in the reliable Gothenburg brand of frenetic, melodic death metal (think In Flames, At the Gates, and especially Dark Tranquillity), before infusing them with folk-flavored melodies performed on fiddles, flutes, pipes, and other such period instruments, instead of with lead guitars. Female vocals are brought into the picture for the memorable, mid-paced head-banger "Slanias Song," and the band does without metal entirely for evocative Celtic instrumentals like "Samon," "Anagantios," and "Giamonios"; but more adventurous listeners will likely still feel like Eluveitie play their cards a little too safely, compared to other proponents of folk metal. Be that as it may, though, it's also worth noting that the group never falls prey to the embarrassingly silly, sometimes awkward results that plague some of those more audacious bands. And, in the end, knowing when to say when is one of the qualities that makes Slania such a thoroughly consistent folk-metal album that may appeal to a broader cross-section of heavy metal fans. ~ Eduardo Rivadavia

  1. 1.[CDアルバム]
    1. 1.
      Samon
    2. 2.
      Primordial Breath
    3. 3.
      Inis Mona
    4. 4.
      Gray Sublime Archon
    5. 5.
      Anagantios
    6. 6.
      Bloodstained Ground
    7. 7.
      The Somber Lay
    8. 8.
      Slanias Song
    9. 9.
      Giamonios
    10. 10.
      Tarvos
    11. 11.
      Calling the Rain
    12. 12.
      Elembivos
    13. 13.
      Samon
  2. 2.[CDアルバム]

作品の情報

メイン
アーティスト: Eluveitie

商品の紹介

Kerrang - "Kicking up a powerful Gothenburg-style melodic death, the traditional instruments serve to greatly bolster a sense of epic scale and drama that is far more compelling than kitschy."
Rovi

Coming out of a shadow-draped, magical forest near you, Switzerland's Eluveitie follow in the boot-steps of genre-bending ensembles like Skyclad, Finntroll and Turisas, among others, who armed themselves with pagan themes and folk instrumentation in an attempt to push heavy metal toward unexpected new directions. 2008's Slania is only Eluveitie second full album (and first for Nuclear Blast), but its unlikely mixture of melodic death metal and authentic Celtic folk music already sounds remarkably accomplished, despite the seemingly vast stylistic gulf that separates their two chief sources of inspiration. Then again, Eluveitie rarely stick out their collective songwriting neck so recklessly as to tempt the falling axe of artificial inter-genre crossbreeding. Rather, the octet roots typical songs like "Primordial Breath," "Bloodstained Ground," and "Calling the Rain" in the reliable Gothenburg brand of frenetic, melodic death metal (think In Flames, At the Gates, and especially Dark Tranquillity), before infusing them with folk-flavored melodies performed on fiddles, flutes, pipes, and other such period instruments, instead of with lead guitars. Female vocals are brought into the picture for the memorable, mid-paced head-banger "Slanias Song," and the band does without metal entirely for evocative Celtic instrumentals like "Samon," "Anagantios," and "Giamonios"; but more adventurous listeners will likely still feel like Eluveitie play their cards a little too safely, compared to other proponents of folk metal. Be that as it may, though, it's also worth noting that the group never falls prey to the embarrassingly silly, sometimes awkward results that plague some of those more audacious bands. And, in the end, knowing when to say when is one of the qualities that makes Slania such a thoroughly consistent folk-metal album that may appeal to a broader cross-section of heavy metal fans. ~ Eduardo Rivadavia|
Rovi

コルピクラーニに続く新世代フォーク・メタルの雄、スイスのエルヴェイティがスゴイ! このニュー・アルバムはデス度を大幅に増加させた恐るべき作品で、なかでもグイグイと曲を引っ張るリード・ギターならぬ、リード笛に驚愕!! メロディック・デスとケルト・ミュージックが重なり合い、そこに崇高な笛の音が高らかに響き渡るのだ! 前代未聞の〈笛メタル〉が、鋼鉄界に旋風を巻き起こす!
bounce (C)山口 コージー
タワーレコード(2008年04月号掲載 (P78))

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