Jazz
CDアルバム

Rypdal/Vitous/Dejohnette

0.0

販売価格

¥
2,190
税込
還元ポイント

在庫状況 について

フォーマット CDアルバム
発売日 2008年10月31日
国内/輸入 輸入
レーベルECM
構成数 1
パッケージ仕様 デジパック
規格品番 1779926
SKU 602517799264

構成数 : 1枚
合計収録時間 : 00:42:15

  1. 1.[CDアルバム]
    1. 1.
      Sunrise
    2. 2.
      Den Forste Sne
    3. 3.
      Will
    4. 4.
      Believer
    5. 5.
      Flight
    6. 6.
      Seasons

作品の情報

メイン

ゲスト

その他
エンジニア: Jan Erik Kongshaug
プロデューサー: Manfred Eicher

商品の紹介

An otherworldly soundscape of aching beauty, this album is a must-have for aficionados of any member of this trio. Rypdal's guitar is hauntingly reverbed and distant throughout, though occasionally on "Seasons" he becomes too fond of caterwauling guitar synth. But this is truly an effort of trio fusion, with ineffable pieces like "Den Forste Sne" ("The First Snow") appearing and melting away without any tangible solos or structure. From the opening cymbal strikes of "Sunrise," this album is marked by DeJohnette's best drumming on record; his cymbal sound, pushed to the front and recorded with mikes both above and below the cymbal's bell "because that's how the drummer hears it" is nothing short of revelatory. Vitous' bass steadies Rypdal's flights of fancy, while his subtle electric piano lines float above. These elements combine most powerfully in "Believer," which builds from atmospheric shimmers of electric piano into a whorl of bass and plaintive guitar set against the dry rasp of resonating cymbals.|
Rovi

An otherworldly soundscape of aching beauty, this album is a must-have for aficionados of any member of this trio. Rypdal's guitar is hauntingly reverbed and distant throughout, though occasionally on "Seasons" he becomes too fond of caterwauling guitar synth. But this is truly an effort of trio fusion, with ineffable pieces like "Den Forste Sne" ("The First Snow") appearing and melting away without any tangible solos or structure. From the opening cymbal strikes of "Sunrise," this album is marked by DeJohnette's best drumming on record; his cymbal sound, pushed to the front and recorded with mikes both above and below the cymbal's bell -- "because that's how the drummer hears it" -- is nothing short of revelatory. Vitous' bass steadies Rypdal's flights of fancy, while his subtle electric piano lines float above. These elements combine most powerfully in "Believer," which builds from atmospheric shimmers of electric piano into a whorl of bass and plaintive guitar set against the dry rasp of resonating cymbals. ~ Paul Collins
Rovi

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