Tell Tale Signs : The Bootleg Series Vol.8 (US)

構成数 : 2枚
合計収録時間 : 02:17:06
2枚組
Personnel: Bob Dylan (vocals, guitar, harp, harmonica, piano, organ); Ralph Stanley (vocals, guitar, banjo); Donnie Herron (guitar, steel guitar); Daniel Lanois (guitar, dobro, organ); Larry Campbell (guitar, violin); Glen Lowe, Tommy Morrongiello, David Bromberg, Denny Freeman, Duke Robillard, Freddy Koella, James Alan Shelton, John Jackson, Mason Ruffner, Ralph Stanley II, Stuart Kimball, Bob Britt, Brian Stoltz, Charlie Sexton (guitar); Bucky Baxter (slide guitar, electric slide guitar, steel guitar, pedal steel guitar); Cindy Cashdollar (slide guitar, dobro); Steve Sparkman (banjo); Jeff Wisor, Dick Fegy (mandolin, fiddle); John Rigsby (mandolin); Elana Fremerman (violin); James Price (fiddle); Augie Meyers (accordion, organ); John Firmin (clarinet, tenor saxophone); Peter Ecklund (trumpet); Curtis Linberg (trombone); Tony Mangurian (piano, drums, percussion); Jim Dickinson, Benmont Tench (organ); Christopher Cameron, Chris "Hambone" Cameron (keyboards); Robert Amiot, Tony Hall, Tony Garnier (bass instrument, bass guitar); Jack Cooke (upright bass); Winston Johnson, David Kemper, Winston Watson (drums, percussion); Jim Keltner, Willie Green , Richard Crooks , George Recile, Brian Blade (drums); Malcolm Burn (tambourine); Cyril Neville, Darryl Johnson (percussion). Audio Mixers: Chris Shaw ; Pablo Wheeler; Malcolm Burn; Mark Wilder; Bil VornDick. Liner Note Author: Larry "Ratso" Sloman. Recording information: ACME Recording, Chicago, IL (03/??/1989-05/13/2006); Cote D'Opale Kursaal, Dunkerque, France (03/??/1989-05/13/2006); Criteria Studios, Miami, FL (03/??/1989-05/13/2006); Larrabee East, Los Angeles, CA (03/??/1989-05/13/2006); Malibu, CA (03/??/1989-05/13/2006); National Car Rental Center, Sunrise, FL (03/??/1989-05/13/2006); New York, NY (03/??/1989-05/13/2006); Oakes Garden Theatre, Niagara Falls, Ontario, Canada (03/??/1989-05/13/2006); Rebel Records (03/??/1989-05/13/2006); Studio 4, Conshohocken, PA (03/??/1989-05/13/2006); The Studio, New Orleans, LA (03/??/1989-05/13/2006); The Supper Club, New York, NY (03/??/1989-05/13/2006); Westland Studios, Dublin, Ire (03/??/1989-05/13/2006); Wolf Trap Filene Center, Vienna, VA (03/??/1989-05/13/2006). Editor: Damian Rodriguez. Photographers: Lynn Goldsmith; Larry Keegan; Ken Regan; Lorey Sebastian; Mark Seliger; David Gahr; Kevin Mazur; Ana Maria Valez; Giulio Molfese; John Werner ; Randee Saint Nicholas; William Claxton; Marlene Rosenberg; Jim McCarthy; Danny Clinch. This eighth chapter in Dylan's epic Bootleg Series covers the era bookended by 1989's OH MERCY and 2006's MODERN TIMES. As the only installment with its own unique title, TELL TALE SIGNS acts in some ways as its own original record and the fourth salvo in the renaissance kicked off by 1997's TIME OUT OF MIND. A deeply satisfying two-disc set, TELL TALE SIGNS argues emphatically that these albums were no fluke, but rooted in a significantly broader, deeper wellspring of creativity. Unconcerned with the contemporary zeitgeist, Dylan synthesizes old forms--from rockabilly to jump blues; from Jimmie Rodgers-esque parlor balladry to country gospel--into his millieu with extraordinary ease, and rides various ace line-ups (which feature such stalwarts as guitarist/fiddler Larry Campbell, guitarist Charlie Sexton, and organist Augie Meyers) into an isolated dreamland soaked with spring reverb and pulsating tremolo. The stranger in these songs may be familiar, but now his visions thrum with nostalgia and regret. The highlights are many. A devastating acoustic demo of the OH MERCY stand-out "Most of the Time" rescues the song from Daniel Lanois's overweaning production on the original. "Red River Shore" and "Marchin' to the City"--cut from the final sequence of TIME OUT OF MIND--smolder. Two vastly different alternate versions of both the OH MERCY-era single "Dignity" and LOVE AND THEFT's "Mississippi" reveal the degree to which Dylan plumbs a song's performative possibilities. Still restless, still aching, st