Rock/Pop
CDアルバム

We Have Everything We Need (UK)

0.0

販売価格

¥
2,890
税込
還元ポイント

在庫状況 について

フォーマット CDアルバム
発売日 2008年10月13日
国内/輸入 輸入(イギリス盤)
レーベルImperial/One Little Indian
構成数 1
パッケージ仕様 -
規格品番 TPLP759CD
SKU 5016958101527

構成数 : 1枚
合計収録時間 : 00:51:14
The return of Shelleyan Orphan after a decade-and-a-half of inactivity, a Tim Buckley cover for a tribute album aside, found the duo of Jem Tayle and Caroline Crawley at once changed and intriguingly fixed in never-never land. Now at a far remove temporally from their winsome if not precious youth, there's a sense of easygoing confidence in their performances and songs that happily rode out all criticism; if anything their brand of not-quite-prog/not-quite-easy listening art rock seems more distinctly in its own sphere. Crawley's voice throughout conveys elegant sweetness, while Tayle's electric guitar playing adds sting to his orchestral arrangements as much as his acoustic guitar. His occasional lead vocals, as on the beautiful cello-tinged "Evolute," provide a slightly jarring but still interesting contrast. Add to that a few gentle left-field touches throughout, and the album often keeps the listener on their feet, as the banjo and fiddle on "Something Pulled Me" leads into an easygoing hoedown, the cyclical drone-and-vocal meditation of "Host," Charlie Jones' dramatic bass work on the penultimate song "Bosom." A not so secret weapon is the return of Boris Williams, the former Cure drummer who had also played the same role on Humroot as well as in his late-'90s band with Crawley, Babacar; his varied, understatedly powerful performances throughout add a surging heft to the songs without overwhelming them. If there is a weak spot, though, it's that some of the lyrics are a bit headscratching; hearing Tayle and Crawley concluding the near waltz-time groove of "I'm Glad You Didn't Jump Out of the Car That Day" with the words "Bomb bomb suicide bombers disturb me that's what they do" is almost up there with Boy George's "War is stupid." ~ Ned Raggett

  1. 1.[CDアルバム]
    1. 1.
      Bodysighs
    2. 2.
      How a Seed Is Sown
    3. 3.
      Judas
    4. 4.
      Something Pulled Me
    5. 5.
      Evolute
    6. 6.
      Host
    7. 7.
      Your Shoes
    8. 8.
      I'm Glad You Didn't Jump out of the Car That Day
    9. 9.
      I May Never
    10. 10.
      Beamheart
    11. 11.
      Bosom
    12. 12.
      Everything We Need

作品の情報

メイン
アーティスト: Shelleyan Orphan

商品の紹介

The return of Shelleyan Orphan after a decade-and-a-half of inactivity, a Tim Buckley cover for a tribute album aside, found the duo of Jem Tayle and Caroline Crawley at once changed and intriguingly fixed in never-never land. Now at a far remove temporally from their winsome if not precious youth, there's a sense of easygoing confidence in their performances and songs that happily rode out all criticism; if anything their brand of not-quite-prog/not-quite-easy listening art rock seems more distinctly in its own sphere. Crawley's voice throughout conveys elegant sweetness, while Tayle's electric guitar playing adds sting to his orchestral arrangements as much as his acoustic guitar. His occasional lead vocals, as on the beautiful cello-tinged "Evolute," provide a slightly jarring but still interesting contrast. Add to that a few gentle left-field touches throughout, and the album often keeps the listener on their feet, as the banjo and fiddle on "Something Pulled Me" leads into an easygoing hoedown, the cyclical drone-and-vocal meditation of "Host," Charlie Jones' dramatic bass work on the penultimate song "Bosom." A not so secret weapon is the return of Boris Williams, the former Cure drummer who had also played the same role on Humroot as well as in his late-'90s band with Crawley, Babacar; his varied, understatedly powerful performances throughout add a surging heft to the songs without overwhelming them. If there is a weak spot, though, it's that some of the lyrics are a bit headscratching; hearing Tayle and Crawley concluding the near waltz-time groove of "I'm Glad You Didn't Jump Out of the Car That Day" with the words "Bomb bomb suicide bombers disturb me that's what they do" is almost up there with Boy George's "War is stupid." ~ Ned Raggett|
Rovi

The return of Shelleyan Orphan after a decade-and-a-half of inactivity, a Tim Buckley cover for a tribute album aside, found the duo of Jem Tayle and Caroline Crawley at once changed and intriguingly fixed in never-never land. Now at a far remove temporally from their winsome if not precious youth, there's a sense of easygoing confidence in their performances and songs that happily rode out all criticism; if anything their brand of not-quite-prog/not-quite-easy listening art rock seems more distinctly in its own sphere. Crawley's voice throughout conveys elegant sweetness, while Tayle's electric guitar playing adds sting to his orchestral arrangements as much as his acoustic guitar. His occasional lead vocals, as on the beautiful cello-tinged "Evolute," provide a slightly jarring but still interesting contrast. Add to that a few gentle left-field touches throughout, and the album often keeps the listener on their feet, as the banjo and fiddle on "Something Pulled Me" leads into an easygoing hoedown, the cyclical drone-and-vocal meditation of "Host," Charlie Jones' dramatic bass work on the penultimate song "Bosom." A not so secret weapon is the return of Boris Williams, the former Cure drummer who had also played the same role on Humroot as well as in his late-'90s band with Crawley, Babacar; his varied, understatedly powerful performances throughout add a surging heft to the songs without overwhelming them. If there is a weak spot, though, it's that some of the lyrics are a bit headscratching; hearing Tayle and Crawley concluding the near waltz-time groove of "I'm Glad You Didn't Jump Out of the Car That Day" with the words "Bomb bomb suicide bombers disturb me that's what they do" is almost up there with Boy George's "War is stupid." ~ Ned Raggett
Rovi

メンバーズレビュー

レビューを書いてみませんか?

読み込み中にエラーが発生しました。

画面をリロードして、再読み込みしてください。