| フォーマット | CDアルバム |
| 発売日 | 2009年05月04日 |
| 国内/輸入 | 輸入(アメリカ盤) |
| レーベル | Sunnyside Communications |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | SYS11962 |
| SKU | 016728119627 |
構成数 : 1枚
合計収録時間 : 00:00:00
Personnel: Brian Cullman (vocals, guitar); Fiona McBain (vocals); Byron Isaacs (guitar, lap steel guitar, drums, percussion, background vocals); Glenn Patscha (guitar, accordion, piano, pump organ, keyboards, background vocals); Barry Reynolds (guitar); John Ellis and His SDB, John Ellis (woodwinds); Tony Leone (drums, percussion).
Audio Mixers: Ichiho Nishiki; Hector Castillo.
Recording information: The Looking Glass, New York, NY (2007).
Brian Cullman sings, plays guitar, and writes all of the music on this set of light rock/pop/contemporary folk oriented songs that all tread a similar typical emotional path of life, love, introspection, and insular self-awareness. His voice is quite plain, even lackluster, missing a sense of gut-wrenching fire and overt passion as the title of the disc suggests. Instrumentally, his guitar work is unremarkable. It's more of an internal light and warm going to cool reserve that Cullman prefers, never turning up the wick or sizzling on any single tune. The saving graces of the set are the always beautiful background vocals of Ollabelle's Fiona McBain, jazz saxophonist and flute player John Ellis, and supportive keyboardist Glenn Patscha. While not able to lift this music to a higher level, they help keep this low-key music at a consistently even keel. Themes range from commentary on the aging process during "As a Man Gets Older," the delicate songs of separation "Missing You by Miles," and departure on "Goodbye," or the pleasant refrain of "Sweet Companion." More compelling are the funky blues with atmospheric flute of Ellis on "Somebody Calling My Name," the Autumn song "Somewhere Else" with a New Orleans rhythm influence, and the somewhat instrumental New Orleans to Canada late night/full moon howl triptych of "The Secret Doors" shaded by lap steel and electronics. A sleepy French waltz, "J'Attends" is enhanced by McBain's la-la's, and is the one track that, though pleasant enough, doesn't fit. Perhaps Cullman's publishing company Songs on Toast suggests this is morning music, a time for reflective contemplation, repast and replenishing as the day slowly winds into afternoon. ~ Michael G. Nastos
録音 : ステレオ (Studio)

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