Heavy Weather/Black Market [Box]

構成数 : 2枚
合計収録時間 : 01:15:04
Weather Report: Wayne Shorter (soprano & tenor saxophones); Joe Zawinul (piano, Fender Rhodes piano, synthesizer); Alphonso Johnson (electric bass, Chapman Stick); Jaco Pastorious (fretless bass); Chester Thompson (drums); Alex Acuna (percussion). Producer: Josef Zawinul. Reissue producer: Bob Belden. Recorded at Devonshire Studios, North Hollywood, California between 1975 & 1976. Includes liner notes by Hal Miller. Digitally remastered using DSD technology by Mark Wilder and Seth Foster (Sony Music Studios New York, New York). 2 LPs on 1 cassette. Both are available separately on CD and cassette. Personnel: Joe Zawinul (vocals, guitar, melodica, piano, grand piano, Fender Rhodes piano, Oberheim synthesizer, tabla); Jaco Pastorius (vocals, mandocello, electric bass, drums, steel drum); Wayne Shorter (soprano saxophone, tenor saxophone, lyricon); Alejandro Neciosup Acuna (drums, congas, tom tom, percussion); Chester Thompson , Narada Michael Walden (drums); Manolo Badrena (congas, tambourine, timbales, percussion); Don Alias (percussion). Recording information: Devonshire Sound Studios, North Hollywood, CA (1976-1977). Illustrators: Lou Beach; David McMacken. Photographers: Don Hunstein; Keith Williams. The shifts in Weather Report's personnel come fast and furious now, with Narada Michael Walden and Chester Thompson as the drummers, Alex Acuna and Don Alias at the percussion table, and Alphonso Johnson giving way to the mighty, martyred Jaco Pastorius. It is interesting to hear Pastorius expanding the bass role only incrementally over what the more funk-oriented Johnson was doing at this early point -- that is, until "Barbary Coast," where suddenly Jaco leaps athletically forward into the spotlight. Joe Zawinul or just Zawinul, as he preferred to be billed -- contributed all of side one's compositions, mostly Third World-flavored workouts except for "Cannon Ball," a touching tribute to his ex-boss Cannonball Adderley (who had died the year before). Shorter, Pastorius, and Johnson split the remainder of the tracks, with Shorter now set in a long-limbed compositional mode for electric bands that would serve him into the 1990s. While it goes without saying that most Weather Report albums are transition albums, this diverse record is even more transient than most, paving the way for WR's most popular period while retaining the old sense of adventure. ~ Richard S. Ginell
録音 : ステレオ (Studio)