Rock/Pop
CDアルバム

Grievous Angel (Reissue)

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1,890
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在庫状況 について

フォーマット CDアルバム
発売日 2008年08月26日
国内/輸入 輸入
レーベルRhino
構成数 1
パッケージ仕様 -
規格品番 8122799063
SKU 081227990633

構成数 : 1枚
合計収録時間 : 00:36:14
Gram Parsons fondness for drugs and high living are said to have been catching up with him while he was recording Grievous Angel, and sadly he wouldn't live long enough to see it reach record stores, dying from a drug overdose in the fall of 1973. This album is a less ambitious and unified set than his solo debut, but that's to say that G.P. was a great album while Grievous Angel was instead a very, very good one. Much of the same band that played on his solo debut were brought back for this set, and they perform with the same effortless grace and authority (especially guitarist James Burton and fiddler Byron Berline). If Parsons was slowing down a bit as a songwriter, he still had plenty of gems on hand from more productive days, such as "Brass Buttons" and "Hickory Wind (which wasn't really recorded live in Northern Quebec; that's just Gram and the band ripping it up live in the studio, with a handful of friends whooping it up to create honky-tonk atmosphere). He also proved to be a shrewd judge of other folks material as always; Tom T. Hall's "I Can't Dance" is a strong barroom rocker, and everyone seems to be having a great time on The Louvin Brothers's "Cash on the Barrelhead." As a vocal duo, Parsons and Emmylou Harris only improved on this set, turning in a version of "Love Hurts" so quietly impassioned and delicately beautiful that it's enough to make you forget Roy Orbison ever recorded it. And while he didn't plan on it, Parsons could hardly have picked a better closing gesture than "In My Hour of Darkness." Grievous Angel may not have been the finest work of his career, but one would be hard pressed to name an artist who made an album this strong only a few weeks before their death or at any time of their life, for that matter.
エディション : Reissue

  1. 1.[CDアルバム]
    1. 1.
      Return Of The Grievous Angel

      アーティスト: Gram Parsons

    2. 2.
      Hearts On Fire

      アーティスト: Gram Parsons

    3. 3.
      I Can't Dance

      アーティスト: Gram Parsons

    4. 4.
      Brass Buttons

      アーティスト: Gram Parsons

    5. 5.
      $1000 Wedding

      アーティスト: Gram Parsons

    6. 6.
      Cash On The Barrelhead/Hickory Wind

      アーティスト: Gram Parsons

    7. 7.
      Love Hurts

      アーティスト: Gram Parsons

    8. 8.
      Las Vegas

      アーティスト: Gram Parsons

    9. 9.
      In My Hour Of Darkness

      アーティスト: Gram Parsons

作品の情報

メイン
アーティスト: Gram Parsons

オリジナル発売日:1974年

商品の紹介

グラム・パーソンズが、ドラッグとアルコールの大量摂取のためカリフォルニアのモーテルで他界(享年26歳)してしまった後にリリースされたセカンド・ソロアルバム。音楽的にもカントリーとロックのバランスがよりフラットになったような印象があり、エミルー・ハリスとのコンビネーションも相変わらず絶妙。
タワーレコード(2009/04/08)

Gram Parsons fondness for drugs and high living are said to have been catching up with him while he was recording Grievous Angel, and sadly he wouldn't live long enough to see it reach record stores, dying from a drug overdose in the fall of 1973. This album is a less ambitious and unified set than his solo debut, but that's to say that G.P. was a great album while Grievous Angel was instead a very, very good one. Much of the same band that played on his solo debut were brought back for this set, and they perform with the same effortless grace and authority (especially guitarist James Burton and fiddler Byron Berline). If Parsons was slowing down a bit as a songwriter, he still had plenty of gems on hand from more productive days, such as "Brass Buttons" and "Hickory Wind (which wasn't really recorded live in Northern Quebec; that's just Gram and the band ripping it up live in the studio, with a handful of friends whooping it up to create honky-tonk atmosphere). He also proved to be a shrewd judge of other folks material as always; Tom T. Hall's "I Can't Dance" is a strong barroom rocker, and everyone seems to be having a great time on The Louvin Brothers's "Cash on the Barrelhead." As a vocal duo, Parsons and Emmylou Harris only improved on this set, turning in a version of "Love Hurts" so quietly impassioned and delicately beautiful that it's enough to make you forget Roy Orbison ever recorded it. And while he didn't plan on it, Parsons could hardly have picked a better closing gesture than "In My Hour of Darkness." Grievous Angel may not have been the finest work of his career, but one would be hard pressed to name an artist who made an album this strong only a few weeks before their death or at any time of their life, for that matter.|
Rovi

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