Fate

Rolling Stone (p.95) - 3 stars out of 5 -- "'Army of Ancients' is a gospel-flavored power ballad that nods to John Lennon....The pleasantly apocalyptic '100 Years' crossbreeds a weathered WORKINGMAN'S DEAD levity with a SGT. PEPPER circus vibe." Spin (p.98) - 3.5 stars out of 5 -- "[I]ts choirboy vocals, spiky guitar solos, and splashes of blue-eyed soul evoke SMILE-era Beach Boys and the Band." Entertainment Weekly (p.71) - "Now five albums in as the kings of fuzzy beard-rock revivalism, this Philly quintet has expertly honed its loving tribute to the past perfect." -- Grade: A- Alternative Press (p.170) - 3.5 stars out of 5 -- "'The Old Days' borrows Sgt. Peeper wooliness and sets it up for epic, upbeat jam cutlets; and 'From' is easily the tearjerker soundtrack tantamount to a sunset departure of a summer lover." Q (Magazine) (p.104) - 4 stars out of 5 -- "Toby Leaman's tear-stained vocals lead the way through a set of passionately soulful ballads and tear-jerkers packed full of elegiac melodies, elegant harmonies and sultry horns." Blender (Magazine) (p.84) - 3.5 stars out of 5 -- "They sprinkle their down-home mix of hook and harmony with doo-wop and jamboree, and their influences are as clear as good-day sunshine: the Beatles, the Beatles listening to the Beach Boys, the Band." Paste (magazine) (p.71) - "The band's fifth album employs unabashed Beatles arrangements....['From'] is virtually all harmonies, cool and pleasant." Clash (Magazine) (p.65) - Ranked #22 in Clash's "The 40 Best Albums of 2008" -- "Heraldic, adventurous, buoyant and downright euphoric..."

Dr. Dog have been steadily refining their sound since the unexpected success of Easy Beat, and Fate continues that trend. They've still got all the right classic rock moves, clever production ideas, and the ragged-but-right vocals and bouncy bass of Toby Leaman and Scott McMicken's tough guitar and sweet vocals. It sounds much like We All Belong, but this time out there are also some really nice string and horn arrangements and a bit more utilization of studio production. But a nice studio can be a double-edged sword. The songs sound great, but at times it seems that the detail and adornment are more important than the songs (most noticeably on the opener, which is nearly swallowed by backing vocals). The sound effects that link the songs and clumsy tape edits seem a tad forced (as if to replace some of the genuine weirdness on some of Easy Beat), and some of the titles and lyrical themes seem recycled from We All Belong. That being said, Fate is still a thoroughly enjoyable album from a fine band. ~ Sean Westergaard