What The World Needs Now

構成数 : 1枚
合計収録時間 : 00:00:00
Five Play: Janelle Reichman (clarinet, saxophone); Jami Dauber (trumpet, cornet, flugelhorn); Tomoko Ohno (piano); Noriko Ueda (bass instrument); Sherrie Maricle (drums). Audio Mixer: Kent Heckman. Liner Note Author: The Mike Hennessey Chastet. Recording information: Red Rock Recording Studio, Saylorsburg, PA (12/09/2007/12/10/2007). Photographer: Bill Westmoreland. Arrangers: Sherrie Maricle; Anat Cohen ; Jami Dauber. For the fourth edition of Five Play (not counting the recording they did backing vocalist Maria Anadon,) drummer and founder Sherrie Maricle has assembled yet another quintet from the players in her Diva Big Band. Bassist Noriko Ueda and pianist Tomoko Ohno are the holdovers and do not miss a beat. Janelle Reichman is a very young tenor saxophonist and clarinetist from Michigan who takes over for Anat Cohen. Jami Dauber from Chicago is now the full-time trumpeter -- she played on half of the previous CD, Five Play... Plus. Their repertoire concentrates on standards, a Toshiko Akiyoshi original, and two pop songs taken to swing proportions. What these women bring to the table is a finely tuned sense of democracy, style, purpose, and full intent to swing. Their equality and balance is in evidence right off the bat on an easily swung Art Blakey & the Jazz Messengers like version of the Hal David-Burt Bacharach written title track. Still in that vein but using a choppy accented melody for "I Want to Be Happy," their bop chops are also well honed. Some songs are typical as on the shuffle "Groove Merchant" or the straight swing blues of Akiyoshi's "Jo-House Blues," again Messenger-ish a la Hank Mobley and Lee Morgan, spiked by Ohno's lead out. Reichman's clean clarinet shines through on the samba take of Benny Goodman's "Slipped Disc" and the broken hearted "Cry Me a River." Dauber's muted plunger trumpet is both pining and humorous during "Moon Song," while Ueda's feature on "Old Folks" marks the coming of a rising star. There's one cut with just the trio sans horns "I Could Have Danced All Night" where Ohno and Ueda cut loose, and Maricle's brushwork on her snare drum is very impressive. While one might hope for the band to let it fly a bit more, that is probably due for a follow-up to this professional and enjoyable recording. ~ Michael G. Nastos
録音 : ステレオ (Studio)