Rock/Pop
CDアルバム

Iskander

0.0

販売価格

¥
2,690
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2008年05月26日
国内/輸入 輸入
レーベルEsoteric
構成数 1
パッケージ仕様 -
規格品番 ECLEC2058
SKU 5013929715820

構成数 : 1枚
合計収録時間 : 00:57:18
Unlike their compatriots Focus, whose albums went considerably downhill after Hamburger Concerto, Supersister never released a bad record. That being said, their last two (if one counts Robert Jan Stips' solo project Spiral Staircase as a group effort) are generally considered less interesting, mostly because they don't feature the classic quartet lineup and they signal a significant change in direction. But there are reasons one might disagree with this view. Yes, Iskander is indeed different and must be accepted as such, but Stips succeeds in steering the group into a new direction. His writing is strong and his mark still obvious. First of all, only Stips and bassist Ron VanEck remain of the original lineup. Sacha VanGeest and his gracious flute have been replaced by ex-Embryo Charlie Mariano on sax and flute. Herman VanBoeyen sits behind the drums. More important than the changes in personnel is the change in style. Iskander, a loose concept album about Alexander the Great (Iskander is his Turkish name), is often described as being more in the jazz-rock vein, but listening to Stips' choice of keyboard sounds and multi-tracked arrangements, one thinks of Triumvirat's Spartacus (which it actually predates). The keyboardist is going for a more virtuosic prog rock sound, while Mariano's sax introduces jazzier elements that are occasionally subverted into David Jackson-esque licks (as in "Babylon"). The feel of the music is definitely not in the same vein as "Judy Goes on Holiday" or "A Girl Named You," and there may be a touch of misplaced pompousness in the conceptual aspect of the album, but it features some very good progressive rock with hints of mid-period Soft Machine (Mariano's soprano sax can't help but evoke Elton Dean). In fact, people usually annoyed by the band's sense of humor will most likely prefer this album, as it is uncharacteristically "serious." It has been reissued on CD as a two-fer together with Spiral Staircase. [Esoteric's 2008 edition included bonus tracks.] ~ Francois Couture

  1. 1.[CDアルバム]
    1. 1.
      Introduction

      アーティスト: Supersister

    2. 2.
      Dareios the Emperor

      アーティスト: Supersister

    3. 3.
      Alexander

      アーティスト: Supersister

    4. 4.
      Confrontation of the Armies

      アーティスト: Supersister

    5. 5.
      The Battle

      アーティスト: Supersister

    6. 6.
      Bagaos

      アーティスト: Supersister

    7. 7.
      Roxane

      アーティスト: Supersister

    8. 8.
      Babylon

      アーティスト: Supersister

    9. 9.
      Looking Back

      アーティスト: Supersister

    10. 10.
      Wow

      アーティスト: Supersister

    11. 11.
      Drs. D

      アーティスト: Supersister

    12. 12.
      Bagaos

      アーティスト: Supersister

    13. 13.
      Memories Are New

      アーティスト: Supersister

作品の情報

メイン
アーティスト: Supersister

商品の紹介

Unlike their compatriots Focus, whose albums went considerably downhill after Hamburger Concerto, Supersister never released a bad record. That being said, their last two (if one counts Robert Jan Stips' solo project Spiral Staircase as a group effort) are generally considered less interesting, mostly because they don't feature the classic quartet lineup and they signal a significant change in direction. But there are reasons one might disagree with this view. Yes, Iskander is indeed different and must be accepted as such, but Stips succeeds in steering the group into a new direction. His writing is strong and his mark still obvious. First of all, only Stips and bassist Ron VanEck remain of the original lineup. Sacha VanGeest and his gracious flute have been replaced by ex-Embryo Charlie Mariano on sax and flute. Herman VanBoeyen sits behind the drums. More important than the changes in personnel is the change in style. Iskander, a loose concept album about Alexander the Great (Iskander is his Turkish name), is often described as being more in the jazz-rock vein, but listening to Stips' choice of keyboard sounds and multi-tracked arrangements, one thinks of Triumvirat's Spartacus (which it actually predates). The keyboardist is going for a more virtuosic prog rock sound, while Mariano's sax introduces jazzier elements that are occasionally subverted into David Jackson-esque licks (as in "Babylon"). The feel of the music is definitely not in the same vein as "Judy Goes on Holiday" or "A Girl Named You," and there may be a touch of misplaced pompousness in the conceptual aspect of the album, but it features some very good progressive rock with hints of mid-period Soft Machine (Mariano's soprano sax can't help but evoke Elton Dean). In fact, people usually annoyed by the band's sense of humor will most likely prefer this album, as it is uncharacteristically "serious." It has been reissued on CD as a two-fer together with Spiral Staircase. [Esoteric's 2008 edition included bonus tracks.] ~ Francois Couture|
Rovi

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