Tha Carter III : Deluxe Edition (US) [Limited]

その支持率は天井知らず!リル・ウェイン入魂のシリーズ最終章

99年『Tha Block is Hot』でデビュー以降"サウスの2パック"と称される程の絶大なる人気を誇り、米Vibe誌は「生存するベスト・ラッパー」と最大級の賛辞を贈るキャッシュ・マネー・レコードの看板ラッパー、リル・ウェイン。本作は'04年『Tha Carter』、'05年『Tha Carter II』に続く3部作の最終作。間違いなく2008年を代表する最高のラップ・アルバムとなるでしょう!

Rolling Stone (p.74) - 4.5 stars out of 5 -- "He really is the best rapper alive....As usual, Wayne's tumbling freestyle rhymes are full of imagination and surprise, but his voice itself is half the fun." Rolling Stone (p.88) - Ranked #3 in Rolling Stone's 50 Best Albums Of 2008 -- "Lil Wayne's greatness lies not just in what he says, but in the way he says it..." Spin (p.96) - "[T]he purest product of the most transformative, chaos-inducing man-made disasters of the 21st century -- New Orleans, hip-hop, and the Internet." Spin (p.53) - Ranked #2 in Spin's "40 Best Albums Of 2008" -- "[With] rapping, Auto-Tune crooning, groping guitar strings, and rasping for air over a digital patchwork of beats and synths..." Entertainment Weekly (p.66) - "There's some intricate art here: 'Dr. Carter' and 'A Milli' have bursts of spectacular rhyme..." The Wire (p.64) - "'Misunderstood', based around the Nina Simone track, has lines that come straight from the heart, and the vital signs are strong..." XXL (Magazine) (p.98) - "Wayne's supreme confidence as an MC dominates the album....His songwriting skills continue to get more thoughtful and focused..." Blender (Magazine) (p.80) - 4.5 stars out of 5 -- "His taste in beats and sounds is omnivorous, his crushed-charcoal rasp equally indebted to crisp East Coast complexity, Southern sing-song and his own warped imagination."

How Tha Carter III came to be "the most anticipated rap album of 2008" is a story that involves the usual delays and promises of a masterpiece, plus a whole lot of bullet points that could only exist in the absurd world of Lil Wayne. There's his complete annihilation of the mixtape game, the ridiculous amount of guest shots he granted since Tha Carter II made him a hip-hop superstar, that photograph of him kissing his mentor, Birdman, rumors of addiction to the sizzurp, plus the gargantuan ego and aggravating aloofness (Wayne will ignore all incoming beefs and infuriate challengers even further by offering the lethal "I don't listen to your records"). His "best rapper alive" quote is discussed to death, but if that claim includes creating perfectly crafted full-lengths in a 2Pac style, the evidence won't be found here. Tha Carter III is instead a surprisingly casual album that takes numerous listens to sort out, and only part of a puzzle that is scattered across mixtapes, guest shots, and Internet leaks. Had he included another easy-access single like "Rider" from The Drought Is Over, Pt. 4 -- just one of his mixtape series that made it to a Pt. 5 -- the "classic" argument could be considered, but figuring out what to sacrifice from this high-grade jumble is difficult. It wouldn't be the electro-bumpin' "Lollipop," an infectious track that contains the wonderfully Wayne line "I told her to back it up/Like burp, burp." You certainly wouldn't want to lose key cut "Phone Home," where the maverick adopts an alien voice and drops "I could get your brains for a bargain/Like I bought it from Target." Another Weezy special from way outside the hip-hop universe comes in the striking "Dr. Carter," when the football reference "And you ain't Vince Young/So don't clash with the Titan" dances on a David Axelrod sample and an unexpected jazzy production from Swizz Beatz. Giant meets giant when Jay-Z stops by for the velvet-smooth hangout session "Mr. Carter," and with Babyface laying the stylish swagger all over "Comfortable," Wayne gets the opportunity to convincingly vibe in the land of true class. Just like on Tha Carter II, Robin Thicke ends up the most complementary guest, coating Wayne's post-Katrina tale "Tie My Hands" in warm buttery soul. As the track flows from political commentary ("My whole city's underwater, some people still floatin'/And they wonderin' why black people still votin'/Cuz your President's still chokin'") to despair and onto some moving "keep your head up"-styled verse, it proves Wayne can go deep and connect with his audience if he chooses. You can fault him for not connecting enough on the album and further complicating his unmanageable body of work with this disjointed effort, but Wayne's true masterpiece is the bigger picture and how he's flipped the script since the first Carter rolled out. Filled with bold, entertaining wordplay and plenty of well-executed, left-field ideas, Tha Carter III should be considered as a wild, somewhat difficult child of Weezy's magnum opus in motion, one that allows the listener an exhilarating and unapologetic taste of artistic freedom. ~ David Jeffries

2008年の音楽界最大の注目作!と言い切ってもいいだろう、〈現役最強&最高のラッパー〉であるリル・ウェインのニュー・アルバムがついに出た!　先行シングル“Lollipop”が長いキャリアで初の全米チャート首位を獲得、本国USでの初回出荷は150万枚越え、と話題だらけの今作は、ベイビーフェイスやベティ・ライトなんつー驚きのゲストも含む過去最強の布陣。イケイケっぷりを活かしたヴァラエティーに富んだトラックが……なんて言葉を連ねる必要もなく、リリース前に早々とクラシック認定!　期待を軽く凌駕するクレイジーなラップを次々と繰り出しているが、特にT・ペインとの“Got Money”には瞬殺必至!　カーター繋がりでジェイ・Zを迎えた“Mr. Carter”での王位継承劇も聴き逃すな!
bounce (C)升本 徹