Rock/Pop
CDアルバム

The Wild, The Innocent & The E Street Shuffle : Vinyl Replica Edition<初回生産限定盤>

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フォーマット CDアルバム
発売日 2008年05月19日
国内/輸入 輸入
レーベルSony BMG
構成数 1
パッケージ仕様 紙ジャケット
規格品番 88697287412
SKU 8869728741280

※こちらは、UK盤紙ジャケット仕様となります。


構成数 : 1枚
合計収録時間 : 00:46:47
Bruce Springsteen expanded the folk-rock approach of his debut album, Greetings from Asbury Park, N.J., to strains of jazz, among other styles, on its ambitious follow-up, released only eight months later. His chief musical lieutenant was keyboard player David Sancious, who lived on the E Street that gave the album and Springsteen's backup group its name. With his help, Springsteen created a street-life mosaic of suburban society that owed much in its outlook to Van Morrison's romanticization of Belfast in Astral Weeks. Though Springsteen expressed endless affection and much nostalgia, his message was clear: this was a goodbye-to-all-that from a man who was moving on. The Wild, the Innocent & the E Street Shuffle represented an astonishing advance even from the remarkable promise of Greetings; the unbanded three-song second side in particular was a flawless piece of music. Musically and lyrically, Springsteen had brought an unruly muse under control and used it to make a mature statement that synthesized popular musical styles into complicated, well-executed arrangements and absorbing suites; it evoked a world precisely even as that world seemed to disappear. Following the personnel changes in the E Street Band in 1974, there is a conventional wisdom that this album is marred by production lapses and performance problems, specifically the drumming of Vini Lopez. None of that is true. Lopez's busy Keith Moon style is appropriate to the arrangements in a way his replacement, Max Weinberg, never could have been. The production is fine. And the album's songs contain the best realization of Springsteen's poetic vision, which soon enough would be tarnished by disillusionment. He would later make different albums, but he never made a better one. The truth is, The Wild, the Innocent & the E Street Shuffle is one of the greatest albums in the history of rock & roll. [Sony Japan issued a limited edition in 2008.] ~ William Ruhlmann

  1. 1.[CDアルバム]
    1. 1.
      The E Street Shuffle
    2. 2.
      4th of July, Asbury Park (Sandy)
    3. 3.
      Kitty's Back
    4. 4.
      Wild Billy's Circus Story
    5. 5.
      Incident on 57th Street
    6. 6.
      Rosalita (Come Out Tonight)
    7. 7.
      New York City Serenade

作品の情報

メイン
アーティスト: Bruce Springsteen

オリジナル発売日:1973年

商品の紹介

Rolling Stone - Ranked #132 in Rolling Stone's "500 Greatest Albums Of All Time" - "E STREET is where Springsteen gets ready for the last laugh."
Rovi

Bruce Springsteen expanded the folk-rock approach of his debut album, Greetings from Asbury Park, N.J., to strains of jazz, among other styles, on its ambitious follow-up, released only eight months later. His chief musical lieutenant was keyboard player David Sancious, who lived on the E Street that gave the album and Springsteen's backup group its name. With his help, Springsteen created a street-life mosaic of suburban society that owed much in its outlook to Van Morrison's romanticization of Belfast in Astral Weeks. Though Springsteen expressed endless affection and much nostalgia, his message was clear: this was a goodbye-to-all-that from a man who was moving on. The Wild, the Innocent & the E Street Shuffle represented an astonishing advance even from the remarkable promise of Greetings; the unbanded three-song second side in particular was a flawless piece of music. Musically and lyrically, Springsteen had brought an unruly muse under control and used it to make a mature statement that synthesized popular musical styles into complicated, well-executed arrangements and absorbing suites; it evoked a world precisely even as that world seemed to disappear. Following the personnel changes in the E Street Band in 1974, there is a conventional wisdom that this album is marred by production lapses and performance problems, specifically the drumming of Vini Lopez. None of that is true. Lopez's busy Keith Moon style is appropriate to the arrangements in a way his replacement, Max Weinberg, never could have been. The production is fine. And the album's songs contain the best realization of Springsteen's poetic vision, which soon enough would be tarnished by disillusionment. He would later make different albums, but he never made a better one. The truth is, The Wild, the Innocent & the E Street Shuffle is one of the greatest albums in the history of rock & roll. [Sony Japan issued a limited edition in 2008.] ~ William Ruhlmann|
Rovi

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