Sudden Impact

構成数 : 1枚
合計収録時間 : 00:58:38
Personnel: Dennis Budimir, Melvin Ragin (guitar); Gayle Levant (harp); Jerome Reisler, John Wittenberg, Nathan Kaproff, James Getzoff, Harris Goldman, Carl LaMagna, Marvin Limonick, Ellen Segal, Joy Lyle, Bill Hybel, Irving Geller, Murray Adler, David D. Turner , Henry Roth, Joe Stepansky, Bernard Kundell, Joseph Livoti, Pavel Farkas, Marshall Sosson, Israel Baker, Arnold Belnick, Bonnie Douglas, Brian Leonard, Nathan Ross, Paul Shure, Berj Garabedian (violin); Carole Mukogawa, Myra Kestenbaum, Harry Hyams, Allan Harshman, Virginia Majewski, Milton Thomas (viola); Armand Kaproff, Gloria Strassner, Ron Cooper, Robert Adcock, Miguel Martinez, Ray Kramer, Marie Fera (cello); Alvin Sanders (harmonica); Carl Fortina (accordion); David Pell, Gene Cipriano, Louise di Tullio, Robert Hardaway, David Shifrin, Ronnie Lang (woodwinds); Jay DaVersa (trumpet); Arthur Maebe, Richard Perissi, Henry Sigismonti, Vincent DeRosa (French horn); Richard L. Noel, Richard Taylor "Dick" Nash , Thomas Shepard, Kenny Shroyer, Bill Tole, Bob Payne (trombone); Abraham Laboriel, Sr. (electric bass); Alan Estes, Emil Radocchia, Larry Bunker, Paul Leim (drums, percussion). Liner Note Author: Nick Redman . Recording information: 09/1983. Editor: Daniel Hersch. Arrangers: Harvey R. Cohen; Joel Franklin; Barbi Franklin; Dan Franklin; Angela Morley. Aleph Records, a label that has done a bang-up job of reissuing Lalo Schifrin's film music over the past five years -- in both sound and presentation -- offers listeners a full version of the composer's score for Sudden Impact. The work was arranged by Harvey Cohen and conducted by Schifrin with an enormous group of players, including a lovely horn section with all shapes and colors of the spectrum for his moody and often dramatic cues. And while it's true that most people are familiar with the scratching, hip-hop, and synthesized funk in the main title theme, it's perhaps the least evocative thing on the set. The delirious "Too Much Sugar," with its gorgeous noir setup, is followed by the tense, moody "Frisco Night," which gives way to a full-blown chase anthem. The long cues are especially wonderful for "Ginley's Bar" and the ever so freaky "Remembering Terror," which begins as a carnival nightmare and ends up on another planet, capturing almost every taut notion of dread, suspense, and violence from the film in a single piece. This is a great score and Aleph gets high marks again for its presentation. ~ Thom Jurek
録音 : ステレオ (Studio)