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Country/Blues
CDアルバム

Visits Washington D.C. (UK)

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フォーマット CDアルバム
発売日 2008年05月05日
国内/輸入 輸入(イギリス盤)
レーベルAce/Takoma
構成数 1
パッケージ仕様 -
規格品番 CDTAK1069
SKU 029667033220

構成数 : 1枚
合計収録時間 : 00:43:30
John Fahey's final album of the 1970s was also his first studio album in nearly five years, his prolific pace in the first dozen years or so of his recording career slowing notably by the middle of the decade. He pretty much just picked up where he left off on Visits Washington DC, however, offering another set of acoustic guitar instrumentals with stellar picking and an eclectic range of influences. A good share of the material this time around came from other sources, as he put together a medley of Doc Watson's "Silver Bell" and Bill Monroe's "Cheyenne" for the first track; incorporated Leo Kottke's "Death by Reputation" into the second, and also covered Bola Sete's "Guitar Lamento." On his originals (and to some degree even his interpretations), echoes of Appalachian folk, bluegrass, blues, ragtime, and flotsam and jetsam of Americana (with Stephen Foster liberally quoted in Fahey's composition "The Discovery of the Sylvia Scott") blend and merge. Some of his characteristic moodiness emerges in passages from "Ann Arbor" and "Melody McBad," and Richard Ruskin, another artist on the Takoma label, adds second guitar to "Silver Bell." ~ Richie Unterberger|

  1. 1.[CDアルバム]
    1. 1.
      Medley: Silver Bell/Cheyenne

      アーティスト： John Fahey

    2. 2.
      Ann Arbor/Death by Reputation

      アーティスト： John Fahey

    3. 3.
      The Discovery of the Sylvia Scott

      アーティスト： John Fahey

    4. 4.
      Guitar Lamento

      アーティスト： John Fahey

    5. 5.
      Melody McBad

      アーティスト： John Fahey

    6. 6.
      The Grand Finale

      アーティスト： John Fahey

オリジナル盤にあったフェイヒィ自身のライナーノーツも再現した上に、ジョー・ストラマーやプライマル・スクリーム、キース・リチャーズの伝記の執筆でも知られる英国の音楽ジャーナリスト、クリス・ニーズによる詳細なライナーノーツも付属。

作品の情報

メイン
アーティスト： John Fahey

商品の紹介

【ジム・オルーク、サ－ストン・ムーアらが敬愛するフィンガー・ピッキング・ギターの巨人、ジョン・フェイヒィ。タコマに残した1979年作が遂に初CD化！】

2001年に僅か61年の生涯を閉じたジョン・フェイヒィ。数多くのミュージシャンに影響を与えてきたこの米国音楽界の巨人が1979年に自身のレーベル【タコマ】に残した隠れた名盤が本作。M1のメドレーのみレーベル・メイトのリチャード・ラスキンが客演しているほかは、全てフェイヒィの独奏で、彼の爪弾くギターの調べが心ゆくまで堪能できる丸ごとギターな1枚。
タワーレコード（2009/04/08）

John Fahey's final album of the 1970s was also his first studio album in nearly five years, his prolific pace in the first dozen years or so of his recording career slowing notably by the middle of the decade. He pretty much just picked up where he left off on Visits Washington DC, however, offering another set of acoustic guitar instrumentals with stellar picking and an eclectic range of influences. A good share of the material this time around came from other sources, as he put together a medley of Doc Watson's "Silver Bell" and Bill Monroe's "Cheyenne" for the first track; incorporated Leo Kottke's "Death by Reputation" into the second, and also covered Bola Sete's "Guitar Lamento." On his originals (and to some degree even his interpretations), echoes of Appalachian folk, bluegrass, blues, ragtime, and flotsam and jetsam of Americana (with Stephen Foster liberally quoted in Fahey's composition "The Discovery of the Sylvia Scott") blend and merge. Some of his characteristic moodiness emerges in passages from "Ann Arbor" and "Melody McBad," and Richard Ruskin, another artist on the Takoma label, adds second guitar to "Silver Bell." ~ Richie Unterberger|
Rovi

John Fahey's final album of the 1970s was also his first studio album in nearly five years, his prolific pace in the first dozen years or so of his recording career slowing notably by the middle of the decade. He pretty much just picked up where he left off on Visits Washington DC, however, offering another set of acoustic guitar instrumentals with stellar picking and an eclectic range of influences. A good share of the material this time around came from other sources, as he put together a medley of Doc Watson's "Silver Bell" and Bill Monroe's "Cheyenne" for the first track; incorporated Leo Kottke's "Death by Reputation" into the second, and also covered Bola Sete's "Guitar Lamento." On his originals (and to some degree even his interpretations), echoes of Appalachian folk, bluegrass, blues, ragtime, and flotsam and jetsam of Americana (with Stephen Foster liberally quoted in Fahey's composition "The Discovery of the Sylvia Scott") blend and merge. Some of his characteristic moodiness emerges in passages from "Ann Arbor" and "Melody McBad," and Richard Ruskin, another artist on the Takoma label, adds second guitar to "Silver Bell." ~ Richie Unterberger
Rovi

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