My Favorite Guitars ［CD+DVD］＜限定盤＞

スウェーデンのジャズ・ギタリストによる全米デビュー・アルバム。
12曲は、明るく洗練されたプロダクションと即興演奏に満ちたトラックで構成されており、オーベルグはウェス・モンゴメリー、ジャンゴ・ラインハルト、パット・メセニー、ジョージ・ベンソン、パット・マルティーノ、トニニョ・ホルタなど、自身のギター演奏のインスピレーション源となったアーティストたちに敬意を表しつつ、独自のオーベルグ流のタッチとサウンドを奏でている。
＜パーソネル＞Andreas Oberg(g) Kuno Schmid (p,key) Tamir Hendelman(p,key)
Marian Petrescu(p,key) Kevin Axt(b) Harish Raghavan(b) Kuno Schmid (key-b) Vic Stevens (ds)

Swedish jazz guitarist Andreas Oberg has been quoted as saying that one of his desires is to make music that can appeal to people who dont like jazz. Many hardcore jazz musicians become nervous and apprehensive when they hear other improvisers talking about commercializing jazz in some fashion or making jazz more accessible to rock, pop or R&B fans; they think of all the robotic elevator music that smooth jazz/NAC radio stations have played in the 80s, 90s and 21st century. But My Favorite Guitars is an album that, despite its commercial appeal, isnt going to win over the Kenny G./Najee/Richard Elliott crowd. Oberg isnt trying to be the Dave Koz of the guitar -- far from it. Actually, the best stylistic comparison on this 64-minute CD -- which finds Oberg paying tribute to other guitarists -- would be the pre-Breezin CTI albums that Creed Taylor produced for George Benson (one of Obergs main influences) in the late 60s and early 70s. At times, Taylor was guilty of overproducing, but when he achieved the right balance of jazz and commercial considerations, he soared as a producer -- and My Favorite Guitars achieves that type of balance. This 2008 release isnt in a class with Bensons best CTI releases, but its definitely respectable. Although Oberg brings a strong sense of groove to the table, he has plenty of room to stretch out and improvise whether he is paying tribute to Benson on The Changing World, Django Reinhardt on Troublant Bolero, Pat Metheny on Here to Stay, or Wes Montgomery (another major influence) on The Trick Bag. My Favorite Guitars wont appeal to jazz purists or bop snobs, but it has integrity and demonstrates that an improviser can reach out to pop and R&B fans and still maintain an improvisatory, jazz-oriented focus. ~ Alex Henderson