Ege Bamyasi

Rolling Stone (p.92) - 4 stars out of 5 - "[O]riginal, prescient and magnetic." Spin (p.87) - "[A] funky peak that fueled post-punk." Spin (01/04, p.48) - "...[Suzuki] mewls, whispers, moans and babbles over Jaki Liebezeit's awesome robo-funk drumming, while the other guys provide free-flying moral support..." Uncut (p.129) - 4 stars out of 5 - "[T]he music explodes with all the intensity of Miles Davis' electric units of the same period." The Wire (p.62) - "[T]he record that saw Can jettisoning ballast from their sound in a quest for fluid sonodynamics." Q (Magazine) (p.141) - "[With an] air of out-there cool, chiefly thanks to Liebezeit's incisive grooves and the otherworldly aura of Suzuki's breathless, hard-to-decipher vocals." Mojo (Publisher) (p.153) - "By EGE BAMYASI they were coupling avant-garde urges to a more melodic, groove-based formula that sill accommodated vocalist Damo Suzuki's bizarre phrasing and lyrics..."