Soul/Club/Rap
CDアルバム

Not For Piano

3.0

販売価格

¥
3,190
税込
ポイント15%還元

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2008年02月12日
国内/輸入 輸入
レーベルSunnyside Communications
構成数 1
パッケージ仕様 -
規格品番 SYS11852
SKU 016728118521

構成数 : 1枚
合計収録時間 : 00:50:43
Personnel: Francesco Tristano (piano); Raimundo Penaforte (vocals, violin, percussion); Rami Khalife (piano). Recording information: Infocustudio, New York, NY (10/2005); 'Le Studio De Meudon, France (10/2005). Don't let the title of Francesco Tristano's CD deceive you, for he plays acoustic piano on all the selections, enhanced by occasional ghostly electronic background trimmings. It is not necessarily a jazz piano recording, but one where he has paid attention to the minimalist 20th and 21st century players influenced by Steve Reich. Tristano's music is also keyed into techno (modifying a tune by Autechre) and alternative rock, some ethnic elements, and pure improvisational keyboard stylings. The introductory piece, "Hello," establishes the repeat-line concept with attributions, different accents and dynamics, bouncy and soulful components, and some improvisation. "Strings of Life," an adaptation of Detroit techno pioneer Derrick May's "Strings," exploits underground phantom effects in a two-chord development that builds momentum. A rumbling free improv discourse during "Ap" features a string of mini-arpeggios, while "The Melody" shows Tristano in joyous counterintuitive play. Three selections team Tristano with the brilliant Lebanese pianist Rami Khalife (his CD Scene from Hellek is a must-buy), and they display instant rapport. Tapping the pianos inside and out during "Jeita" to start, they move into a fractured theme and then a train trip with consistent forward motion. "The Bells" is closest to Steve Reich's concept -- slow, steady, then speeding within a controlled melodic framework -- while "Hymn" takes a dramatic and boisterous turn with a sense of purpose that speeds past the Reich visage. Tristano is in many ways a sensible and somewhat predictable player, but takes sufficient risks and uses shadings of gray and blue, a bit of Latin samba as on "Two Minds One Sound," and lighthearted romanticism or delicate simplicity offering diversity beyond strict minimalism. A most enjoyable and interesting project, it should please most progressive music listeners, and serve as a credible prelude to future works. ~ Michael G. Nastos
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Hello

      アーティスト: Francesco Tristano

    2. 2.
      Barceloneta Trist

      アーティスト: Francesco Tristano

    3. 3.
      Strings of Life

      アーティスト: Francesco Tristano

    4. 4.
      Andover

      アーティスト: Francesco Tristano

    5. 5.
      Ap

      アーティスト: Francesco Tristano

    6. 6.
      The Melody

      アーティスト: Francesco Tristano

    7. 7.
      Jeita

      アーティスト: Francesco Tristano

    8. 8.
      The Bells

      アーティスト: Francesco Tristano

    9. 9.
      Hymn

      アーティスト: Francesco Tristano

    10. 10.
      Two Minds One Sound

      アーティスト: Francesco Tristano

作品の情報

メイン
アーティスト: Francesco Tristano

商品の紹介

Don't let the title of Francesco Tristano's CD deceive you, for he plays acoustic piano on all the selections, enhanced by occasional ghostly electronic background trimmings. It is not necessarily a jazz piano recording, but one where he has paid attention to the minimalist 20th and 21st century players influenced by Steve Reich. Tristano's music is also keyed into techno (modifying a tune by Autechre) and alternative rock, some ethnic elements, and pure improvisational keyboard stylings. The introductory piece, "Hello," establishes the repeat-line concept with attributions, different accents and dynamics, bouncy and soulful components, and some improvisation. "Strings of Life," an adaptation of Detroit techno pioneer Derrick May's "Strings," exploits underground phantom effects in a two-chord development that builds momentum. A rumbling free improv discourse during "Ap" features a string of mini-arpeggios, while "The Melody" shows Tristano in joyous counterintuitive play. Three selections team Tristano with the brilliant Lebanese pianist Rami Khalife (his CD Scene from Hellek is a must-buy), and they display instant rapport. Tapping the pianos inside and out during "Jeita" to start, they move into a fractured theme and then a train trip with consistent forward motion. "The Bells" is closest to Steve Reich's concept -- slow, steady, then speeding within a controlled melodic framework -- while "Hymn" takes a dramatic and boisterous turn with a sense of purpose that speeds past the Reich visage. Tristano is in many ways a sensible and somewhat predictable player, but takes sufficient risks and uses shadings of gray and blue, a bit of Latin samba as on "Two Minds One Sound," and lighthearted romanticism or delicate simplicity offering diversity beyond strict minimalism. A most enjoyable and interesting project, it should please most progressive music listeners, and serve as a credible prelude to future works. ~ Michael G. Nastos
Rovi

メンバーズレビュー

1件のレビューがあります
3.0
0%
0%
100%
0%
0%

読み込み中にエラーが発生しました。

画面をリロードして、再読み込みしてください。