Country/Blues
CDアルバム

No Covers (UK)

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フォーマット CDアルバム
発売日 2008年02月18日
国内/輸入 輸入(イギリス盤)
レーベルCooking Vinyl
構成数 1
パッケージ仕様 -
規格品番 COOKCD454
SKU 711297485424

構成数 : 1枚
合計収録時間 : 00:47:28
Hayseed Dixie launched their career with an album of AC/DC covers played bluegrass style, and twisted acoustic interpretations of other people's music have remained their stock in trade, but for their seventh disc, Hayseed Dixie have taken the plunge and finally made an album consisting entirely of their own tunes. While No Covers doesn't boast as many notable melodies as most of their previous releases, the band takes the opportunity to show off a distinct personality of their own for a change, and it serves them well. They indulge their fondness for hard rock with some big, electric guitar riffs on "Bouncing Betty Boogie," "When Washington Comes Around," and "Everybody Knows," but banjo and mandolin still dominate these songs, and the vocals from Barley Scotch (aka John Wheeler), who also wrote or co-wrote all 14 numbers, jump from full-bore howl to down-home twang with equal skill. Humor still dominates this disc, but Hayseed Dixie actually reveal a thoughtful side on No Covers, from the alienation of "Born to Die in France," the political and economic rage of "Trickle Down" and "When Washington Comes Around," the Southern rock love ballad "Secretly Stephanie," and the revenge saga "Everybody Knows." But longtime fans need not fret, Hayseed Dixie haven't lost touch with their goofy side, and the band's rarely sounded odder than on "Stonewall Hick" (punctuated with phone messages, most about bird feces) and "Donkeys in Morocco." For the most part, Hayseed Dixie are a better and more interesting band playing their own material than covering other folks', and while No Covers may not be a crowd-pleaser like their collections of AC/DC or Kiss faves, it rocks and twangs just fine and confirms these guys are more than just a novelty act. ~ Mark Deming|

  1. 1.[CDアルバム]
    1. 1.
      Bouncing Betty Boogie

      アーティスト: Hayseed Dixie

    2. 2.
      Set Myself on Fire

      アーティスト: Hayseed Dixie

    3. 3.
      When Washington Comes Around

      アーティスト: Hayseed Dixie

    4. 4.
      Born to Die in France

      アーティスト: Hayseed Dixie

    5. 5.
      Stephanie Come to Me Secretly

      アーティスト: Hayseed Dixie

    6. 6.
      Stonewall Hicks

      アーティスト: Hayseed Dixie

    7. 7.
      Everybody Knows

      アーティスト: Hayseed Dixie

    8. 8.
      Gonna Be Alright

      アーティスト: Hayseed Dixie

    9. 9.
      You've Got Me All Wrong Baby

      アーティスト: Hayseed Dixie

    10. 10.
      Trickle Down

      アーティスト: Hayseed Dixie

    11. 11.
      Last Days Coming

      アーティスト: Hayseed Dixie

    12. 12.
      Donkeys in Morocco

      アーティスト: Hayseed Dixie

    13. 13.
      Frustration

      アーティスト: Hayseed Dixie

    14. 14.
      That's It I Quit

      アーティスト: Hayseed Dixie

作品の情報

メイン
アーティスト: Hayseed Dixie

商品の紹介

Hayseed Dixie launched their career with an album of AC/DC covers played bluegrass style, and twisted acoustic interpretations of other people's music have remained their stock in trade, but for their seventh disc, Hayseed Dixie have taken the plunge and finally made an album consisting entirely of their own tunes. While No Covers doesn't boast as many notable melodies as most of their previous releases, the band takes the opportunity to show off a distinct personality of their own for a change, and it serves them well. They indulge their fondness for hard rock with some big, electric guitar riffs on "Bouncing Betty Boogie," "When Washington Comes Around," and "Everybody Knows," but banjo and mandolin still dominate these songs, and the vocals from Barley Scotch (aka John Wheeler), who also wrote or co-wrote all 14 numbers, jump from full-bore howl to down-home twang with equal skill. Humor still dominates this disc, but Hayseed Dixie actually reveal a thoughtful side on No Covers, from the alienation of "Born to Die in France," the political and economic rage of "Trickle Down" and "When Washington Comes Around," the Southern rock love ballad "Secretly Stephanie," and the revenge saga "Everybody Knows." But longtime fans need not fret, Hayseed Dixie haven't lost touch with their goofy side, and the band's rarely sounded odder than on "Stonewall Hick" (punctuated with phone messages, most about bird feces) and "Donkeys in Morocco." For the most part, Hayseed Dixie are a better and more interesting band playing their own material than covering other folks', and while No Covers may not be a crowd-pleaser like their collections of AC/DC or Kiss faves, it rocks and twangs just fine and confirms these guys are more than just a novelty act. ~ Mark Deming|
Rovi

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