Friend EP

ssued in late 2007, FRIEND is the follow-up to Grizzly Bear's lauded YELLOW HOUSE, and features reworked versions of tracks from that album and its predecessor, HORN OF PLENTY, by both the Brooklyn-based group and other indie acts. The quartet is joined by Beirut's Zach Condon and the Dirty Projectors on a restless new rendition of "Alligator," while Atlas Sound (aka Deerhunter's Bradford Cox) contributes a mesmerizing minimalist take on "Knife." Other standout tracks on the collection are Grizzly Bear's haunting, echo-laden cover of the Gerry Goffin/Carole King pop standard "He Hit Me" and Band of Horses' harmony-heavy rendition of "Plans." For those who fell under the strange rootsy/glitchy spell of YELLOW HOUSE, FRIEND serves as a beautifully woozy after-effect.|

At 11 tracks long, Friend barely qualifies as an EP, and yet it's far too weird and scattered -- in the best possible way -- to work as a full-fledged Grizzly Bear album. As kitchen sink eclectic as Yellow House was polished and cohesive, Friend tosses new versions of songs from both Yellow House and Horn of Plenty in with new songs, covers, and cameos from some of the band's closest pals. The reworkings of Horn of Plenty tracks are some of the mini-album's most striking moments: "Alligator (Choir Version)" turns the song from homespun glitch-pop into trippy, thundering rock, with Beirut and the Dirty Projectors lending their voices to the aforementioned choir. "Shift" is just as fragile and spooky here as it was in its original version, but its expansiveness shows just how much Grizzly Bear's sound has grown -- literally -- since the Horn of Plenty days. On the flip side, the band distorts and deconstructs the songs from Yellow House almost beyond recognition. "Little Brother (Electric Version)" trades the original's delicate picking for huge riffs, while two of Yellow House's other definitive songs, "Knife" and "Plans," get makeovers courtesy of two bands that couldn't sound more different from Grizzly Bear or each other. CSS turns "Knife" into fizzy synth pop that actually sounds like a song by the Knife, while Band of Horses brings out the rustic heart of "Plans" with banjo and terrific close harmonies. Interestingly, the cover of "Knife" by Atlas Sound (the solo project of Deerhunter's Bradford Cox) comes the closest to Grizzly Bear's usual sound, if there is such a thing, out of anything on Friend. Grizzly Bear also contributes a cover, a striking version of "He Hit Me (And It Felt Like a Kiss)" that underscores the song's romance and menace -- as well as its wall of sound production -- while subverting it. Songs like this and the wild, untitled surf instrumental that closes Friend don't exactly fit together in any obvious way, other than showing that Grizzly Bear is no stranger to reinventing themselves. Still, their loose ends are more interesting, and often more satisfying, than many other bands' most ambitious, accomplished music. ~ Heather Phares

近年発生したニューゲイザーのディープ・リヴァーブを、アシッド～フリー・フォーク的な解釈でメロディアスな側面を強調させた結果、最狂にハッピーでドラッギーなサウンドを生み出すことに成功した灰色熊たち。本作は彼らの既発トラックのリアレンジ／再レコーディング曲に加えて、カヴァー&コラボをまとめた編集盤である。アナログ・シンセを持ち込んだCSSとの共演をはじめ、21世紀のサイケ者必携の酩曲ばかり。
bounce (C)冨田 明宏