World/Reggae
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Gambler's Ballet

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フォーマット CDアルバム
発売日 2007年09月13日
国内/輸入 輸入
レーベルKila
構成数 1
パッケージ仕様 -
規格品番 KRCD12
SKU 5391502370230

構成数 : 1枚
合計収録時間 : 00:00:00
Kila have long defied the purists of traditional Irish music, performing in the English language as readily as Irish and reaching out well beyond the bounds of conventional folk to prominently incorporate elements of rock, jazz, and electronic music. Most recently, the Dublin-reared seven-piece completed a collaboration/split album with northern Japanese Ainu musician Oki, who shares the group's cross-collaborative spirit. Gamblers' Ballet is a far cry from the latter project, but remains as unconventional and genre-bending as one would expect from a Kila project. Lead single "Leath Ina Dhiadh a hOcht" ("Half Past Eight") effortlessly works the main theme from Pachelbel's "Canon in D" among its own uplifting uilleann pipe melody, while the intricate percussion which plays the song out could as easily have been inspired by hardcore punk as it could traditional west African sounds, such is the melee of implicit and explicit influences which make up the average Kila composition. Ronan O Snodaigh is a gifted writer and vocalist, as the three non-instrumental tracks prove, but his main contribution to the group is his expert bodhran playing, and the effect is immediately apparent in the opening bars of second track "Electric Landlady," his hypnotic low thump providing the perfect bass for brother Colm O Snodaigh and Dee Armstrong's winding flute and fiddle dalliances. Though the main melodic instruments of "Fir Bolg" are fiddle and pipes, the effect is entirely exotic, calling to mind Middle Eastern and Turkish music, and it's fitting given the mythical nature of the subjects. The subtle electronics of pipe instrumental "Boy Racer" recall Liam Howlett's famed "Firestarter" sample, and the wonderfully named "Her Royal Waggeldy Toes," featuring the Hothouse Flowers' Liam O Maonlai on piano, exudes a clear Cuban jazz influence. The most impressive aspect of this multitude of influences is the degree of musicianship required to incorporate them all, and the intricacies of Gamblers' Balletare guaranteed to keep even the most discerning listener guessing for some time to come. Two decades in the making, Gamblers' Ballet is Kila's most consistently impressive recording to date. ~ Dave Donnelly

  1. 1.[CDアルバム]
    1. 1.
      Half Eight/Leath Ina Dhiaidh a Hocht

      アーティスト: Kila

    2. 2.
      Electric Landlady

      アーティスト: Kila

    3. 3.
      Cardinal Knowledge

      アーティスト: Kila

    4. 4.
      Duisigi

      アーティスト: Kila

    5. 5.
      Seo Mo Leaba

      アーティスト: Kila

    6. 6.
      Fir Bolg

      アーティスト: Kila

    7. 7.
      Boy Racer

      アーティスト: Kila

    8. 8.
      Her Royal Waggeldy Toes

      アーティスト: Kila

    9. 9.
      Cabhraigi Lei

      アーティスト: Kila

作品の情報

メイン
アーティスト: Kila

オリジナル発売日:2007年

商品の紹介

Kila have long defied the purists of traditional Irish music, performing in the English language as readily as Irish and reaching out well beyond the bounds of conventional folk to prominently incorporate elements of rock, jazz, and electronic music. Most recently, the Dublin-reared seven-piece completed a collaboration/split album with northern Japanese Ainu musician Oki, who shares the group's cross-collaborative spirit. Gamblers' Ballet is a far cry from the latter project, but remains as unconventional and genre-bending as one would expect from a Kila project. Lead single "Leath Ina Dhiadh a hOcht" ("Half Past Eight") effortlessly works the main theme from Pachelbel's "Canon in D" among its own uplifting uilleann pipe melody, while the intricate percussion which plays the song out could as easily have been inspired by hardcore punk as it could traditional west African sounds, such is the melee of implicit and explicit influences which make up the average Kila composition. Ronan O Snodaigh is a gifted writer and vocalist, as the three non-instrumental tracks prove, but his main contribution to the group is his expert bodhran playing, and the effect is immediately apparent in the opening bars of second track "Electric Landlady," his hypnotic low thump providing the perfect bass for brother Colm O Snodaigh and Dee Armstrong's winding flute and fiddle dalliances. Though the main melodic instruments of "Fir Bolg" are fiddle and pipes, the effect is entirely exotic, calling to mind Middle Eastern and Turkish music, and it's fitting given the mythical nature of the subjects. The subtle electronics of pipe instrumental "Boy Racer" recall Liam Howlett's famed "Firestarter" sample, and the wonderfully named "Her Royal Waggeldy Toes," featuring the Hothouse Flowers' Liam O Maonlai on piano, exudes a clear Cuban jazz influence. The most impressive aspect of this multitude of influences is the degree of musicianship required to incorporate them all, and the intricacies of Gamblers' Balletare guaranteed to keep even the most discerning listener guessing for some time to come. Two decades in the making, Gamblers' Ballet is Kila's most consistently impressive recording to date. ~ Dave Donnelly|
Rovi

ポップなアプローチを行ってヒットした『Luna Park』から4年、ケルト音楽界きっての異能集団が待望の新作を届けてくれた。前作は随所に穏やかさすら感じさせる内容であったが、今回はジャム・セッションをそのまま真空パックしたような勢いとパワーに満ちている。ステッパーズ風レゲエ・チューンから疾走感溢れるサイケ・トランス、バルカン系ジプシーとサンバの交配など新機軸を打ち出したリズムや、香辛料の効いたアラビックな旋律、山口洋らゲスト陣の痛快な暴走ぶりが究極のサイケデリアへと聴き手を誘う。一方、野人ローナン・オ・スノディによる南国情緒満点の和みカリビアン・ソングで歌心もがっちりキープ。常に進化/深化し続ける彼らの飛躍の瞬間を捉えた傑作だ。
bounce (C)岡本 大輔
タワーレコード(2008年03月号掲載 (P79))

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