Uncut - 5 stars out of 5 - "No home's complete without it."
Mojo - 5 stars out of 5 - "[T]he music is undimmed from blues, jazz and R&B to soul and funk."
Entertainment Weekly - "...soul history as a headlong rush of killer hooks, brain-melting horn blasts, and a scream that fuses passion and violence in one initiable call of the wild..." - Rating: A
Rolling Stone - Included in Rolling Stone's "Essential Recordings of the 90's."
Rolling Stone - 5 Stars - Classic - "...a staggering collection....goes well beyond the usual hits 'n' rarities approach of boxed retrospectives to get at the essence of Brown's development from gospel-style shouter...to Soul Brother No. 1...and from God-father of Soul...to grandfather of rap..."
Q - 5 Stars - Indespensable - "...Brown is one of the half- dozen most important, most influential individual oeuvres of the entire rock-and-roll era: the equal of Dylan, The Beatles and Motown....This isn't just the history of one artist; it is literally the history of the groove, the beat that can't be beat..."
Rolling Stone - "...The success of STAR TIME should pave the way for further examination of the James Brown catalog....the box is an ideal way to reintroduce Brown's massive body of work to a public more familiar with his legend than with the records themselves..."
Rovi
When the four-disc Star Time box was released in 1991, James Brown's catalog sorely needed an overhaul; much of it was out of print, and what was available was hardly befitting of his magnitude. Star Time got everything right: it put Brown's hugely influential career into striking perspective, helping to complete his critical renaissance, and the richness of its music set a standard for box sets in general. It was no easy task to balance Brown's lengthy, multi-part funk workouts with the need to include all of his most significant tracks, and the compilers did an excellent job in deciding when and when not to truncate ("Cold Sweat," for example, must be heard in its entirety). There's nothing from Live at the Apollo (which should be experienced start to finish), and his last hurrah on the pop charts, "Living in America," is missing, but these 71 tracks cover all the other high points, and make an eloquent case for Brown as the greatest R&B artist of all time. Disc One covers Brown's early R&B years, when his pleading intensity helped lay the groundwork for soul music. Disc Two, however, is where his genius truly crystallizes -- it basically chronicles the birth of funk, as Brown gradually discards song structure in favor of working hard grooves; it also offers a picture of Brown's emergence as a bandleader and spokesman for black pride. Disc Three features Brown's hardest funk, including his much-revered material with the Bootsy Collins band. Disc Four traces Brown's later creative decline, yet he duplicated his former glories often enough to make this disc a surprisingly solid listen; plus, his massive impact on hip-hop is underlined on the last track, the Afrika Bambaataa duet "Unity." Star Time paved the way for several other excellent compilations which highlighted different parts of Brown's vast legacy, but as the definitive retrospective of one of the most important musicians of the 20th century (black or otherwise), it has yet to be equaled. ~ Steve Huey|
Rovi