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| フォーマット | CDアルバム |
| 発売日 | 2007年11月06日 |
| 国内/輸入 | 輸入 |
| レーベル | VP Records |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | VP17982 |
| SKU | 054645179829 |
構成数 : 1枚
合計収録時間 : 00:58:24
Personnel: Brian Fontenelle, Mitchum Chin (guitar); Howard Mannings (keyboards); Donald Dennis, Robbie Shakespeare (bass guitar); Aubry Mannings (drums); Chinna Smith (guitar); Ansel Collins (keyboards); Sly Dunbar (drums); Bongo Herman (percussion); Stephen Lashley, Howie Harrison, David Simmons.
Additional personnel: Icoflamez, Iniball, Iyah V., Lady G, Deva Bratt.
Recording information: Anchor Recording Studios, Jamaica.
Photographer: Martei Korley.
At a time when dancehall dominates the reggae charts and singers and deejays alike tend to favor a harsh and gruff vocal delivery, I Wayne harks back to the days of sweet-voiced tenors like Johnny Clarke and Cornel Campbell. His lyrical subject matter is similarly old-school, and he focuses on roots-and-culture concerns in a mostly upbeat and hopeful style. His second album features rhythms in a variety of styles, and finds him paired with a nice assortment of deejays -- most of them impressive (note in particular Icoflamez's excellent performance on the one-drop anthem "Annihilation") and a few of them less so (in particular the awful Iniball on "Could a Never"). Unlike some modern reggae artists, I Wayne is actually at his best when he focuses on the reggae verities and steers clear of experimentation; the lovely "Free the People" makes excellent use of a vintage reggae rhythm, and the album's highlight is a bouncy combination track with Deva Brat on which both singer and deejay dance lightly over a tense high-tempo rocker's beat. When he explores funky non- reggae sounds, as on the album-closing "Natural Ites," the results are less compelling. Recommended overall. ~ Rick Anderson
録音 : ステレオ (Studio)
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