The Complete On The Corner Sessions＜初回生産限定盤＞

構成数 : 6枚
合計収録時間 : 06:47:26
Personnel: Miles Davis (trumpet, organ); Miles Davis (electric piano); Dominique Gaumont, Dominique Gaumont, David Creamer (guitar); Bernie Maupin, Bennie Maupin (flute, bass clarinet); Wally Chambers, Wally Chambers (harmonica); Carlos Garnett (sopranino saxophone, soprano saxophone, tenor saxophone); Dave Lieberman, John Stubblefield (soprano saxophone); Harold "Ivory" Williams (electric piano, organ, synthesizer); Michael Henderson (electric bass); Billy Hart (drums, cowbells, wood block, percussion); Pete Cosey (guitar, drums); Reggie Lucas, Cornell Dupree, John McLaughlin (guitar); Collin Walcott, Khalil Balakrishna (electric sitar); David Liebman (flute, soprano saxophone, tenor saxophone); Sonny Fortune (flute, soprano saxophone); Herbie Hancock (electric piano, organ, synthesizer); Cedric Lawson (electric piano, organ); Lonnie Liston Smith (electric piano); Chick Corea (synthesizer); Jack DeJohnette, Al Foster, Bernard "Pretty" Purdie (drums); James Mtume (congas, claves, percussion); Don Alias (congas, kalimba, percussion); Badal Roy (tabla). Audio Remixers: Bob Belden; John Guerriere; Russ Payne; Stan Weiss; Richard King . Liner Note Authors: Bob Belden; Paul Buckmaster; Tom Terrell. Recording information: Columbia Studio B, New York, NY (03/09/1972-05/05/1975); Columbia Studio C, New York, NY (03/09/1972-05/05/1975); Columbia Studio E, New York, NY (03/09/1972-05/05/1975). Authors: Miles Davis; James Mtume; Bob Marley. Editor: Mark Wilder. Introduction by: Bob Belden. Photographers: Don Hunstein; Art Maillet; Christian Rose; David Gahr; Urve Kuusik; Jan Persson. Arranger: Wade Marcus. In a sense, the 1972 release ON THE CORNER was the culmination of what Miles Davis had been working towards since 1969's IN A SILENT WAY, where he began experimenting with a full-on electric ensemble and moving beyond straight-ahead jazz. THE COMPLETE ON THE CORNER SESSIONS, boasting six discs and a wealth of previously unheard music, shines a light on just how groundbreaking these sessions were. With a huge cast of accompanists including John McLaughlin, Chick Corea, Bernard Purdie, and many more, Davis definitively transcended the jazz template and fully embraced a new form that incorporated jazz, rock, funk, and the avant garde, but was truly its own beast. Eschewing harmonic/melodic development, these tracks are powered by shifts in dynamics and texture over percolating grooves, and would prove hugely influential to hip-hop, dub, electronica, and more, for decades to come. By including outtakes and full versions of edited tracks, this collection finally lets the layers of Miles and producer Teo Macero's complex tapestry unfold with the proper breathing room, making it clear why what was initially one of Miles' worst-selling albums would eventually be regarded as a high-water mark even he would never surpass.
エディション : Remaster
録音 : ステレオ (Studio)