Robyn (2007) (Intl Ver.)

シングル「With Every Heartbeat」がデジタルのみのリリースでUKシングルチャート5位にチャートインするなど注目が高まっているストックホルム出身のRobyn嬢。彼女は同郷のポップ・スターであるMejaに13歳の時に発掘され、実は10代でのレコードデビューを果たしてます。そして数枚のアルバムをリリース後、所属レーベルへの不満を機に自らのレーベルKonichiwa Recordsを設立しCEOに就任。その後の充実したクリエイティヴ・ワークから生み出された本作は、エレクトリックなポップスが満載で、この“ピコピコ・サウンド”が「一度ハマるとヤめられない！」とヨーロッパ中を席巻！とくに「コンニチワ・ビッチズ」は日本人としては聴いておきたいところでしょう！

Rolling Stone (p.80) - 3.5 stars out of 5 -- "[A] shiny mainstream pop record with just enough wit and weirdness to impress....Sexy without being pandering, arty without being pretentious..." Entertainment Weekly (p.63) - "[A] self-titled album that's a veritable parade of Songs of the Summer....Fantastic..." -- Grade: A Q (Magazine) (p.74) - Ranked #37 in Q's "The 50 Best Albums Of 2007" -- "Her fourth album mixed tearful melodrama with tongue-in-cheek throwdowns..." Blender (Magazine) (p.76) - 4 stars out of 5 -- "Her self-titled, self-labeled return is heartsick and pissed off, with freezy electro beats and a poison purr light on sex kitten and heavy on avenging angel you can dance to." Paste (magazine) (p.67) - "[O]ne of the finest R&B releases of the decade, revealing a complex artist whose personality shines through not only in her performance but also in the music around her."

"I present to you/Unleashed in the East/Best dressed in the West/Sorted in the North/Without a doubt in the South/the queen of queen bees," intones the booming voice on Robyn's opening track, "Curriculum Vitae." It's not bragging if you can back it up, and Robyn does just that, channeling all the frustration of her creative differences with her previous labels into a freewheeling, accomplished pop album that is so fresh that it could pass for a debut -- and, as the first release for her own label, Konichiwa Records, it is a debut of sorts. Robyn feels like she crammed everything she couldn't do before into a space that can barely contain it, starting with "Konichiwa Bitches," a sassy hip-pop manifesto with a title that could very well have been the first thing she said to her old bosses once she got her own label set up. On this song and the rest of the album, Robyn sounds equally empowered and irresistible, and doesn't hesitate to tell off labels, trifling boys, or anyone else who stands in the way of what she wants. She doesn't mince words on "Handle Me," but she purrs "you're a selfish, narcissistic, psycho-freakin', boot-lickin' creep" so sweetly that it stings even more. And even on the songs where she isn't so strong, like "Bum Like You" and "I Should Have Known"'s catchy recriminations, she's never the less than self-aware. She has a few words for the ladies as well: the cautionary tale "Crash and Burn Girl" is one of the album's funkiest tracks. "Who's That Girl," the song that her old label didn't want to release, and sparked her emancipation from them, is also here, and its distinctive skipping, tropics-go-Nordic rhythms and aggressively buzzy synths -- courtesy of the Knife -- sound great, but it isn't even the best song here. That honor goes to one of two songs that really hit home that true independence can be the hardest thing. "Be Mine!" nails the complicated, sad yet liberated feelings surrounding an impossible relationship, celebrating "the sweet pain of watching your back as you walk away" as it propels itself on a buoyant rhythm. "With Every Heartbeat," the epic, Kleerup-produced breakup song that was Robyn's breakthrough single in the U.K., pushes her forward on percolating, escalating synths and strings until it peaks with the chorus echoing all around her. Not every independent moment on Robyn is so lonely, however. The way the album moves from whimsical tracks like the Teddybears cover "Cobrastyle" or "Robotboy" to subtle ballads like "Eclipse" and "Any Time You Like" just emphasizes that this album is a space for expression for and by Robyn. And like any self-titled album should, Robyn defines what she's all about. Even if it took a few years to put together the label and album (and a few more to get the album released everywhere), this is the pop tour de force that Robyn has always had in her. ~ Heather Phares

90年代半ばに一度RCAからデビューし、その後はベースメント・ジャックスの作品にも顔を覗かせていたスウェーデンのシンガーが、自身のレーベルより復活作を発表です。すでに本国チャートを制している今作は、“Cobrastyle”や“Konichiwa Bitches”を筆頭に、イマっぽいエレクトロ・ポップがギュっと詰まった珠玉の一枚。オール・セインツの復帰作やリリー・アレンが大好きなキミにゴリ押ししたいビッグ・ボムよ!
bounce (C)山西 絵美