Country/Blues
CDアルバム

Something To Shout About

0.0

販売価格

¥
2,490
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2009年07月06日
国内/輸入 輸入
レーベルShout
構成数 1
パッケージ仕様 -
規格品番 SHOUT34
SKU 5013929503427

構成数 : 1枚
合計収録時間 : 01:06:11
This compilation of 23 tracks the Five Blind Boys of Mississippi recorded for the Peacock label between 1950 and 1964 is effectively a combination of two LPs they issued on Peacock in the early '60s. The first of those, 1961's Precious Memories, was actually an assortment of 1950-1959 cuts; the other, Father I Stretch My Hands to Thee, was recorded as a stand-alone album in 1964. It's not exactly a two-for-one combo CD, as it presents the material from the 1964 LP first, and changes the original running order of the songs. Nor is it a best-of covering their 1950-1964 recordings, since the group also did some recording for Vee Jay and Chess during the period. What's important, however, is that it's good earthy gospel music, though the presence of five different lineups means that the sound and style do vary throughout the disc. Those traits are pretty consistent, though, on the first 11 tracks (which comprise the entirety of Father I Stretch My Hands to Thee), all of them cut in 1964 with the same lineup, and most of them featuring recent new recruit Henry Johnson on lead tenor vocals. Though these are the most contemporary-sounding of the recordings on the CD, there's still a holdover '50s R&B feeling to the arrangements (in a good sense), almost giving you the impression at times of hearing an early Ray Charles or James Brown record with a different singer and a spiritual focus to the lyrics. Four different lineups are represented by the 1950s recordings that occupy the rest of the compilation, varying between stark arrangements that highlight the organ to, again, near-R&B with a backbeat. Though it's not the most stylistically even of gospel compilations, the singing is uniformly impassioned, and the package is enhanced by Clive Richardson's informative historical liner notes. ~ Richie Unterberger

  1. 1.[CDアルバム]
    1. 1.
      Something to Shout About

    2. 2.
      Time Is Winding Up

    3. 3.
      Our John Saw the Number

    4. 4.
      Oh Why

    5. 5.
      Father I Stretch My Hands to Thee

    6. 6.
      Jesus Rose

    7. 7.
      Leaning on Jesus

    8. 8.
      Where There's a Will (There's a Way)

    9. 9.
      Just a Little While

    10. 10.
      Waiting at the River

    11. 11.
      What Is an Album

    12. 12.
      Our Father

    13. 13.
      Coming Home

    14. 14.
      Song of Praise

    15. 15.
      Save a Seat for Me

    16. 16.
      There's No Need to Cry

    17. 17.
      Certainly Lord

    18. 18.
      Somebody's Knocking

    19. 19.
      Walk Together Children

    20. 20.
      Leaning on the Everlasting Arm

    21. 21.
      Someone Watches

    22. 22.
      That Awful Hour

    23. 23.
      Don't Give Up

作品の情報

メイン

商品の紹介

This compilation of 23 tracks the Five Blind Boys of Mississippi recorded for the Peacock label between 1950 and 1964 is effectively a combination of two LPs they issued on Peacock in the early '60s. The first of those, 1961's Precious Memories, was actually an assortment of 1950-1959 cuts; the other, Father I Stretch My Hands to Thee, was recorded as a stand-alone album in 1964. It's not exactly a two-for-one combo CD, as it presents the material from the 1964 LP first, and changes the original running order of the songs. Nor is it a best-of covering their 1950-1964 recordings, since the group also did some recording for Vee Jay and Chess during the period. What's important, however, is that it's good earthy gospel music, though the presence of five different lineups means that the sound and style do vary throughout the disc. Those traits are pretty consistent, though, on the first 11 tracks (which comprise the entirety of Father I Stretch My Hands to Thee), all of them cut in 1964 with the same lineup, and most of them featuring recent new recruit Henry Johnson on lead tenor vocals. Though these are the most contemporary-sounding of the recordings on the CD, there's still a holdover '50s R&B feeling to the arrangements (in a good sense), almost giving you the impression at times of hearing an early Ray Charles or James Brown record with a different singer and a spiritual focus to the lyrics. Four different lineups are represented by the 1950s recordings that occupy the rest of the compilation, varying between stark arrangements that highlight the organ to, again, near-R&B with a backbeat. Though it's not the most stylistically even of gospel compilations, the singing is uniformly impassioned, and the package is enhanced by Clive Richardson's informative historical liner notes. ~ Richie Unterberger|
Rovi

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