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| フォーマット | CDアルバム |
| 発売日 | 2025年02月14日 |
| 国内/輸入 | 輸入 |
| レーベル | Metropolis Records |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | MEP804762 |
| SKU | 782388047623 |
構成数 : 1枚
合計収録時間 : 00:48:38
KMFDM: Sascha Konietzko (vocals, various instruments, synthesizer, bass, drums, samples, loops, programming); Chris Connelly, Dorona Alberti, Nicole Blackman, Cheryl Wilson, Jennifer Ginsberg (vocals); Bruce Bendinger, Jr. Blackmail (spoken vocals); Mark Durante (slide guitar, guitar); Gunter Schulz (guitar, piano, bass); En Esch (guitar, background vocals); Steve Finckle (saxophone); Jack Kramer, Mike Cichowicz (trumpet); Bob Samborski (trombone); Bruce Breckenfeld (Hammond B-3 organ); William Rieflin (drums); F.M. Einheit (percussion, sound effects); Ron Lowe (drill, vacuum cleaner); John Van Eaton (sound effects).
Producers: Sascha Konietzko, Gunter Schulz, Chris Shepard.
Composers: Sascha Konietzko; Schulz Ensemble.
Lyricists: Sascha Konietzko; Schulz Ensemble.
KMFDM: Chris Connelly (vocals); Jr. Blackmail (spoken vocals); Steve Finkel (saxophone); Mike Chicowicz (trumpet); Bob Samborski (trombone); Gunter Schulz, Sascha Konietzko (bass instrument); Ron Lowe, F.M. Einheit, John Van Eaton (sound effects); Cheryl Wilson, Bruce Bendinger, Dorona Alberti, Jennifer Ginsberg, En Esch, Jack Kramer, Mark Durante, Nicole Blackman, Bill Rieflin.
Personnel: Sascha Konietzko (vocals, synthesizer, drums, programming); Bruce Bendinger, Nicole Blackman (vocals); Gunter Schulz (guitar, piano); En Esch, Mark Durante (guitar); Steve Finkel (saxophone); Jack Kramer, Mike Chicowicz (trumpet); Bruce Breckenfeld (organ); Bill Rieflin (drums); Cheryl Wilson, Dorona Alberti, Jennifer Ginsberg (background vocals).
Audio Mixers: Chris Shepard; Sascha Konietzko.
Audio Remasterer: Brian Gardner .
Recording information: Chicago At Chicago Recording Company; Hole In The Wall, Chicago, IL.
Editor: Sascha Konietzko.
XTORT doesn't sound markedly different than KMFDM's other releases -- there are still the bruising mechanical drum beats and numbingly drilling guitars, combined with barked vocals. What's noticeable about XTORT -- their first album since industrial broke into the Top 40 with Nine Inch Nails' The Downward Spiral -- is how the band made no concessions to the pop/rock mainstream whatsoever. They are still the same grimy, dank heavy dance band they were in the '80s. For some listeners, that means they're keeping the flame burning and, to a certain extent, they'd be right -- KMFDM sounds as good as they ever have, and several tracks rank among their best. But, over a decade into their career, it would be nice to hear the band branch out and start to experiment a little bit more. ~ Stephen Thomas Erlewine
エディション : Remaster
録音 : ステレオ (Studio)
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