Rock/Pop
DVD

Chaos: Ex Pistols' Secret History (Dave Goodman Story Vol.1)

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販売価格

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2,790
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還元ポイント

廃盤

在庫状況 について

フォーマット DVD
発売日 2007年02月27日
国内/輸入 輸入
レーベルMercury
構成数 1
パッケージ仕様 -
規格品番 1723438
SKU 602517234383

構成数 : 1枚
合計収録時間 : 00:00:00

  1. 1.[DVD]
    1. 1.
      Titles & Roots
    2. 2.
      Malcolm at Art School
    3. 3.
      The Early Seventies
    4. 4.
      New York Dolls
    5. 5.
      Rotten and the Pistols
    6. 6.
      Bay City Rollers of Outrage
    7. 7.
      The Nashville
    8. 8.
      The 101ers
    9. 9.
      Pistols and Manchester
    10. 10.
      Pistols in Paris
    11. 11.
      The Clash
    12. 12.
      Eater
    13. 13.
      EMI and Recording Anarchy
    14. 14.
      Anarchy Tour, Bill Grundy & Cliff
    15. 15.
      Heartbreakers
    16. 16.
      Sid Vicious
    17. 17.
      The Jubilee
    18. 18.
      Legacy
    19. 19.
      Credits

作品の情報

メイン
アーティスト: The Sex PistolsDave Goodman

商品の紹介

The title of this DVD itself lets you know that this isn't exactly a straightforward documentary on the Sex Pistols; although producer Dave Goodman played a significant part in the group's musical career, he's not exactly the first (or fifth or sixth) name that comes to mind when people think of the band. The 100-minute film that's the centerpiece of the disc has some value for serious Sex Pistols fans, but it's an oddly oblique if not quite chaotic affair. First off, it should be known that it contains absolutely no Sex Pistols music or live sound footage of the group, which is a serious handicap in making a documentary of any sort on a major rock act. Nor does it include any interviews with original Sex Pistols John Lydon, Steve Jones, and Paul Cook (or archive interviews with Sid Vicious). And oddly, despite his prominent billing, Dave Goodman doesn't exactly dominate the cast of talking heads interviewed for the project; he's just one of a number of associates and scenemakers who participated.To give this its due, it does include interviews with some very prominent Sex Pistols insiders, namely original bassist Glen Matlock and manager Malcolm McLaren, as well as Goodman and photographer Ray Stevenson (some of whose photos are used as stills in the film). Still, in all it's kind of like those slew of Beatles and Rolling Stones DVD documentaries in which the filmmakers, obviously cut off from access to many or all of the principal figures in the story (as well as use of original music and archive footage), try to make do by shoveling on chats with a host of peripheral figures. Here they include Terry Chimes of the Clash, filmmaker Don Letts, journalists Roy Carr and Charles Shaar Murray, Factory Records founder Tony Wilson, and Public Image Limited's Jim Walker.If you're not familiar with the basic outlines of the Sex Pistols story, you're going to be somewhat or wholly lost, since basic acknowledgement of things like the most important events in their lifetime and the sequence in which they occurred are mostly absent. It's more for Sex Pistols enthusiasts hungry for some anecdotes and perspectives that might be missing or underplayed in more conventional (and thorough) histories, though unfortunately some of the stories related are just familiar tales told a little differently this time around. Some interesting things are noted, such as Goodman and McLaren recalling the confusing circumstances leading to multiple attempts to record "Anarchy in the U.K.," or Matlock giving his matter of fact recollection of when he knew his days in the band were numbered. Even if you're willing to sit through this for its most noteworthy moments, however, there are a few other basic problems with the film other than its fragmentary structure, notably undermiked sound in a few scenes that make some of the interviewees hard to understand, as well as unsteady camerawork in a few (not many) of the interview segments. The extras include additional and extended interviews with some of the more notable participants, and these, oddly, include some of the more interesting observations on the disc, such as Matlock's belief that the group got thrown off A&M in part because his name was on the contract and the label was upset he'd left, and Wilson's feeling that McLaren wanted to make the Sex Pistols "the Bay City Rollers of outrage." Also included are full versions of some of the songs Goodman wrote and produced that were used in the film, and though they're obviously trying to simulate the Sex Pistols sound, they're no substitute for actual Sex Pistols recordings. ~ Richie Unterberger|
Rovi

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