Rock/Pop
CDシングル

Kingdom Of Doom

0.0

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1,037
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還元ポイント
9pt

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フォーマット CDシングル
発売日 2007年01月15日
国内/輸入 輸入
レーベルParlophone
構成数 1
パッケージ仕様 -
規格品番 CDR6732
SKU 094638319924

構成数 : 1枚
合計収録時間 : 00:00:00
If Parklife exuberantly captured the giddiness of the mid-'90s as fashions and politics changed, ushering in New Labor, Brit-pop, and new lad culture, The Good, the Bad & the Queen captures how all that optimism has calcified into weary cynicism, as the endless opportunities of the '90s have given way to a warring world that seems to lack any center or certainty. So, in that sense, it is a cousin to Parklife in how it captures a national mood, but in sheer sonic terms, the closet antecedent of Damon Albarn's is Demon Days, which traced out an apocalyptic vision despite its insistent pop hooks. TGTBTQ is singularly effective, a murky, mud-streaked impressionistic rock noir that's sinisterly seductive in its gloom. ~ Stephen Thomas Erlewine

  1. 1.[CDシングル]

作品の情報

メイン
アーティスト： The Good, The Bad & The Queen

商品の紹介

Spin - 4 stars out of 5 -- "[Albarn's] told a powerful tale of darkness endured and hope regained, outshining almost everything he's done before." Vibe - "GOOD is comparable in spirit to the everything-is-in-play feel of Clash albums like SANDINISTA!" Uncut - 3 stars out of 5 -- "The energy, urgency and ambition are admirable....Albarn's feel for the secret heart of pop remains thankfully intact." Rolling Stone - 4 stars out of 5 -- "[T]he eclectic elements combine for dark, muted balladry a la Syd Barrett or the Beatles' White Album, with a touch of dub." Q - Ranked #05 in Q's "The 50 Best Albums Of 2007" -- "[A] revelation, as tracks such as 'Herculean' and 'Green Fields' took listeners on a haunting, dub-tinged journey..." Q - 4 stars out of 5 -- "'Green Fields'...is one of the loveliest moments in the Albarn canon. He effortlessly links the personal and political while giving the heartstrings a nudge."
Rovi

If Parklife exuberantly captured the giddiness of the mid-'90s as fashions and politics changed, ushering in New Labor, Brit-pop, and new lad culture, The Good, the Bad & the Queen captures how all that optimism has calcified into weary cynicism, as the endless opportunities of the '90s have given way to a warring world that seems to lack any center or certainty. So, in that sense, it is a cousin to Parklife in how it captures a national mood, but in sheer sonic terms, the closet antecedent of Damon Albarn's is Demon Days, which traced out an apocalyptic vision despite its insistent pop hooks. TGTBTQ is singularly effective, a murky, mud-streaked impressionistic rock noir that's sinisterly seductive in its gloom. ~ Stephen Thomas Erlewine|
Rovi

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