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THE ESSENTIAL OCKEGHEM:REQUIEM/ALMA REDEMPTORIS MATER/MISSA CAPUT/ETC:EDWARD WICKHAM(cond)/THE CLERK'S GROUP

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フォーマット CDアルバム
発売日 2006年11月06日
国内/輸入 輸入
レーベルResonance
構成数 1
パッケージ仕様 -
規格品番 CDGAM357
SKU 743625035728

構成数 : 1枚
合計収録時間 : 01:06:35

The Essential Ockeghem
【曲目】
Ockeghem: Requiem
Offertorium
Alma Redemptoris Mater
S'elle M'amera
Petite Camusette
Ma Maistresse
Fors Seulement
Missa Caput
Kyrie
Missa Pro Defunctis
Gloria
Missa L'homme Arme
Credo
Missa Mi-Mi
Santus
Missa Mi-Mi
Benedictus
Missa De plus en plus
Agnus Dei
Intemerata Dei mater
【演奏】
The Clerks’ Group, Edward Wickham


『エッセンシャル・オケゲム』
【曲目】
ヨハネス・オケゲム(c.1420-1497):
 うるわしき救い主の御母よ/S'elle M'amera/可愛いカミュゼット/マ・メストレス
 死を待つ以外に/オフェルトリウム/キリエ/グローリア/クレド/サンクトゥス
 ベネディクトゥス/アニュス・デイ/汚れなき御母
【演奏】
エドワード・ウィッカム(指揮)、クラークス・グループ

  1. 1.[CDアルバム]
    1. 1.
      Alma Redemptoris Mater, motet for 4 voices
    2. 2.
      S'elle m'amera/Petite camusette, chanson for 4 voices
    3. 3.
      Missa "Ma maistresse", for 4 voices (Kyrie & Gloria only)
    4. 4.
      Fors seulement l'attente, chanson for 3 voices
    5. 5.
      Requiem (Missa pro Defunctis), for 3-4 voices (introit, Kyrie, gradual, offertory only)~Offertorium
    6. 6.
      Missa "Caput", for 4 voices~Kyrie
    7. 7.
      Missa prolationum, for 4 voices~Gloria
    8. 8.
      Missa "L'homme arme," for 4 voices~Credo
    9. 9.
      Missa "Mi-mi" (Missa quarti toni), for 4 voices~Sanctus
    10. 10.
      Missa "Mi-mi" (Missa quarti toni), for 4 voices~Benedictus
    11. 11.
      Missa "De plus en plus", for 4 voices~Agnus dei
    12. 12.
      Intemerata Dei mater, motet for 5 voices

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Compiled from a series of nine recordings, this disc called The Essential Ockeghem by the Clerks' Group led by Edward Wickham is an ideal single-disc introduction to the work of the late Medieval master. There's the breadth of the repertoire -- with two spiritual motets, three secular songs, a six-movement mass sequence drawn from six different masses, plus an excerpt from his Requiem, every facet of the composer's sublime artistry is amply represented -- and there're the depth of the performances -- with a cool tone, a clear ensemble, an immaculate technique, and an impeccable sense of style, Wickham's one-to-a-part choir sings Ockeghem's counterpoint as if the vocalists were born singing it. But if you've never heard the composer before, the real reason to hear this disc is to hear the music, or, to be more precise, to experience the music. Because, even coming from a time that implicitly and devoutly believed that music was the art that could touch the infinite, Ockeghem's music was manifestly in touch with something far beyond the merely physical sensation of sound. At its best -- and this disc is all "best" -- Ockeghem's music has a glowing luminosity and a glorious numinosity that seems otherworldly, and in the right performance -- and this disc has nothing but "right" performances -- it can make the ineffable tangible and evanescent incarnate. The greatest Western sacred music of later times, be it by Palestrina, Monteverdi, Bach, Beethoven, Bruckner, or Feldman, does not surpass Ockeghem's, and anyone who doesn't know it yet and feels the least inclination toward the ineffable and the infinite is urged to try this disc. Gaudeamus' digital sound is as real as the blood in your veins.
Rovi

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