Soul/Club/Rap
CDアルバム

On the Dirt Road: Rare and Unreleased NY Funk and Soul 1969-1979

0.0

販売価格

¥
2,790
税込
還元ポイント

在庫状況 について

フォーマット CDアルバム
発売日 2020年05月10日
国内/輸入 輸入
レーベルTuff City Records
構成数 1
パッケージ仕様 -
規格品番 DELCD0075
SKU 048612007529

構成数 : 1枚
合計収録時間 : 01:02:08
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Whacha Want Us to Do
    2. 2.
      Call Me
    3. 3.
      It's No Big Deal
    4. 4.
      I Think I Finally Got You Girl
    5. 5.
      Funky Beat
    6. 6.
      Don't Be Kissed by a Fool
    7. 7.
      Forevermore
    8. 8.
      The Greatest Is You
    9. 9.
      On the Dirt Road
    10. 10.
      Willie's Boogaloo
    11. 11.
      Voices (Calling So Loud)
    12. 12.
      Tonight
    13. 13.
      I've Been Waiting
    14. 14.
      My Home
    15. 15.
      Hold on Baby
    16. 16.
      Now That You've Left Me
    17. 17.
      Forevermore
    18. 18.
      Closer to the Aisle, Pt. 1
    19. 19.
      Closer to the Aisle, Pt. 2

作品の情報

メイン
アーティスト: Willie & The Mighty Magnificents

商品の紹介

Willie Feaster and his band, the Mighty Magnificents (sometimes billed as the Magnificent Six), did time as the house band at All Platinum Records, the label that eventually evolved into early rap powerhouse Sugarhill, and if their sound wasn't as revolutionary as what Keith LeBlanc and Doug Wimbish brought to those classic Grandmaster Flash and Sugarhill Gang sides, this collection proves Sylvia Robinson already had fine taste in studio musicians. Feaster and his band (which at times included as many as a dozen members) were professionals and journeymen, which means they offer up a little bit of everything on On the Dirt Road -- tough funk workouts ("Whacha Want Us to Do"), polished disco-friendly R&B ("Call Me"), funky but polished Philly-style soul in the manner of the Spinners ("I Think I Finally Got You Girl"), gritty blues wailing ("Don't Be Kissed by a Fool"), pleading East Coast soul ("I've Been Waiting"), and the occasional slow dance ("Closer to the Aisle"). While some of this stuff is essential for collectors of rare funk and soul, there's also some real filler on board; Feaster and his band were clearly top-rank musicians, but their songwriting chops weren't quite as impressive, and while they could cut a superior groove, there are also several cuts that are standard-issue soul of the era, no worse but no better than the average. The sound quality is also troublingly inconsistent, with some of the selections showing clear speed problems and a few sounding as if they were sourced from old cassettes. But the great moments on On the Dirt Road truly are great, and if you're looking for some fine but underappreciated grooves from the birth of the funk era, you'll find them here. ~ Mark Deming
Rovi

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