Don Blackman

ソウル、ジャズ・フュージョン、ファンク、レアグルーブ界で名盤として語り継がれている、天才マルチ・キーボーディスト、ドン・ブラッックマンがアリスタから1982年にリリースしたデビュー・アルバム。パーラメント、ファンカデリック、ロイ・エアーズ等との演奏経験があるなど、本作品でも、Pファンクのテイストをまとったジャズ・ファンクを展開。ドラムのデニス・チェンバース、ベースのバリー・ジョンソンの貢献度も高い名盤。ヒップホップ世代には、マスターPのサンプリング・ソースとしてよく知られています。

on Blackman could never be accused of clogging the bins with his own records. Prior to this 1982 debut for GRP -- the songwriter/keyboardist/vocalist's lone LP until 2002 -- he was quite visible, though only as a desired touring and session hand, with connections to Parliament/Funkadelic, Lenny White/Twennynine, and Weldon Irvine. At this point in his career, he was riding high on the successes of Twennynine's "Peanut Butter" and Bernard Wright's "Haboglabotribin'," two monstrously funky cuts he penned and was spotlighted on. He seemed to approach the first opportunity to flex on his own as if he was on a mission -- his self-titled album is as phenomenal as anything else his contemporaries were producing at the time (George Duke in particular), elegantly merging styles and adding new dimensions with each passing track. Beginning with a call-and-response P-Funk-style roof shaker, Blackman and friends then roll into a pair of tender midtempo grooves, where the leader's sweet and easy voice shines as brightly as his tickling touches of piano and keyboard. (Do check Lenny White/Twennynine's "Best of Friends" for a precursor to these highlights.) The first side is closed out with one of the album's heaviest moments; neither kicking horns nor grinding guitar riffs are out of place. Side two is almost the equal of the first, bounding just as freely between gritty and smooth numbers. Blackman would continue to be valuable to others throughout the '80s, '90s, and 2000s, but this is his greatest achievement, a happy-spirited, genre-blending affair that can enrich the lives of those who hear it. Can you hear it, though? That's the question. The album has remained scarce, though intermittent bootlegs and reissues (including Expansion's legit 2006 issue) have popped up throughout the years. Nevertheless, many of its components have been sampled by producers of rap and downtempo house alike. So you've probably heard some of it, but not nearly enough, and you most certainly need the full effect. ~ Andy Kellman|