Rock/Pop
CDアルバム

Hi-Fi Nightingale, The

0.0

販売価格

¥
2,090
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2006年09月18日
国内/輸入 輸入
レーベルEl
構成数 1
パッケージ仕様 -
規格品番 ACMEM87CD
SKU 5013929308725

構成数 : 1枚
合計収録時間 : 00:57:27
Caterina Valente recorded for many years, and in several languages. So this 19-song disc, which only includes material recorded in 1954 and 1955, has too narrow a slice of her career to be considered a best-of CD. Still, it might not be a bad introduction to her more well-known output, as it does include three of her most popular recordings, "The Breeze and I (Andalucia)" (a Top Ten hit in the U.S. in 1955), "Ganz Paris Traumt von der Liebe (I Love Paris)," and "Malaguena." The majority of it's sung in English, but it also includes tracks in French, Italian, German, and Spanish, giving some idea of her cross-cultural appeal. Perhaps in an attempt to sell her to a younger generation, the back sleeve blurb compares her vocal range to Yma Sumac, but while her range is indeed wide, that's a somewhat misleading reference. The recordings here are far less odd and exotica-oriented than Sumac's; in fact, they're pretty solidly in the pop and jazz-pop mainstream, though they're more pop than jazz (and occasionally sprinkled with travelogue-type Latin/ethnic music touches). She does showcase her soaring voice to good bop scatting effect in "Just You, Just Me," and her strong vocals do a lot to give the songs a lift, though a few of them have a dated corniness that's difficult to transcend. Stylistically, this is a somewhat uneven grouping of tracks, but the drama projected by her voice, and at times by the arrangements, make Hi-Fi Nightingale above-average '50s pop vocal music. ~ Richie Unterberger

  1. 1.[CDアルバム]
    1. 1.
      Just You, Just Me

      アーティスト: Caterina Valente

    2. 2.
      Istanbul

      アーティスト: Caterina Valente

    3. 3.
      Oho Aha

      アーティスト: Caterina Valente

    4. 4.
      Casanova

      アーティスト: Caterina Valente

    5. 5.
      El Mosquito

      アーティスト: Caterina Valente

    6. 6.
      Ganz Paris Traumt von der Liebe (I Love Paris)

      アーティスト: Caterina Valente

    7. 7.
      Gespensterblues

      アーティスト: Caterina Valente

    8. 8.
      The Breeze and I

      アーティスト: Caterina Valente

    9. 9.
      If Hearts Could Talk

      アーティスト: Caterina Valente

    10. 10.
      Temptation

      アーティスト: Caterina Valente

    11. 11.
      This Ecstasy

      アーティスト: Caterina Valente

    12. 12.
      Jalousie

      アーティスト: Caterina Valente

    13. 13.
      Fiesta Cubana

      アーティスト: Caterina Valente

    14. 14.
      Malaguena

      アーティスト: Caterina Valente

    15. 15.
      The Way You Love Me

      アーティスト: Caterina Valente

    16. 16.
      My Lonely Lover (Chanson d'Amour)

      アーティスト: Caterina Valente

    17. 17.
      Begin the Beguine

      アーティスト: Caterina Valente

    18. 18.
      Siboney

      アーティスト: Caterina Valente

    19. 19.
      This Must Be Wrong (Oho Aha)

      アーティスト: Caterina Valente

作品の情報

メイン
アーティスト: Caterina Valente

商品の紹介

Caterina Valente recorded for many years, and in several languages. So this 19-song disc, which only includes material recorded in 1954 and 1955, has too narrow a slice of her career to be considered a best-of CD. Still, it might not be a bad introduction to her more well-known output, as it does include three of her most popular recordings, "The Breeze and I (Andalucia)" (a Top Ten hit in the U.S. in 1955), "Ganz Paris Traumt von der Liebe (I Love Paris)," and "Malaguena." The majority of it's sung in English, but it also includes tracks in French, Italian, German, and Spanish, giving some idea of her cross-cultural appeal. Perhaps in an attempt to sell her to a younger generation, the back sleeve blurb compares her vocal range to Yma Sumac, but while her range is indeed wide, that's a somewhat misleading reference. The recordings here are far less odd and exotica-oriented than Sumac's; in fact, they're pretty solidly in the pop and jazz-pop mainstream, though they're more pop than jazz (and occasionally sprinkled with travelogue-type Latin/ethnic music touches). She does showcase her soaring voice to good bop scatting effect in "Just You, Just Me," and her strong vocals do a lot to give the songs a lift, though a few of them have a dated corniness that's difficult to transcend. Stylistically, this is a somewhat uneven grouping of tracks, but the drama projected by her voice, and at times by the arrangements, make Hi-Fi Nightingale above-average '50s pop vocal music. ~ Richie Unterberger|
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