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スティーヴ・ライヒ: フェイシズ~ア・ノンサッチ・レトロスペクティヴ
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商品の情報

フォーマット

CD

構成数

5

国内/輸入

輸入

パッケージ仕様

ボックス

発売日

2006年09月19日

規格品番

755979962

レーベル

SKU

075597996227

作品の情報
メイン
アーティスト
商品の紹介
生誕70周年を記念したBOXセットがリリース!
今なお第一線で活躍しつづけるスティーヴ・ライヒの活動を収めた作品集。
タワーレコード (2009/04/08)
Steve Reich has a remarkable arrangement for a composer in that he is an exclusive artist for Nonesuch and has been so for more than two decades. Back in 1996, when Reich celebrated his 60th birthday, Nonesuch issued a 10-CD box set of "everything" -- all of the works in the Warner Classics vaults that he had recorded, including some new at the time, such as Steve Reich: Works 1965-1995. With Reich's 70th birthday afoot, the earlier set still in print and Nonesuch belonging to a classical music division that is operating on one lung, it has decided on a more modest approach to the newer observance with Steve Reich: Phases -- A Nonesuch Retrospective, a collection consisting of five discs. It is an apt description, as apart from Come Out, everything on this compilation was recorded originally for Nonesuch and produced by Judith Sherman between 1984 and 2005. There is nothing new here, and Steve Reich: Phases -- A Nonesuch Retrospective incorporates the whole of his most recent Nonesuch album, You Are (Variations), along with the Nonesuch recordings of The Desert Music, Drumming, and Music for 18 Musicians, all works occupying complete Nonesuch discs. In the first three cases, Nonesuch has added works to flesh the discs out to fill more time than the originals occupied. Reich has done relatively little recording for Nonesuch since 1996, and much of what there has been is rather difficult to compile into a collection like this one; Reich's operas The Cave and Three Tales are not things even the most disinterested of producers would care to carve into. One development since 1996 that has added considerable interest to Reich's recorded canon is the increasing number of artists other than Steve Reich and Musicians, and specific players for whom he fulfills commissions, who are learning, performing, and recording Reich's work. While Reich is an expert performer of his own music, without others coming into the fold his output will succumb to "Harry Partch Syndrome," a condition whereby the music becomes more or less unperformable after the passing of the composer. There is no reasonable way for Nonesuch to reflect such a wide array of more recent developments in recorded Reichiana -- that is best left to those who enjoy collecting Reich recordings of the single-disc variety. However, there's no denying that Steve Reich: Phases -- A Nonesuch Retrospective is a tremendous bargain; you can get most of his key works here along with others in authoritative readings in a package totaling nearly 400 minutes for roughly the price of a two-disc set. If you have a Reich-loving relative this would make a superb gift, or want to even just test the waters with Steve Reich: Phases -- A Nonesuch Retrospective, which is a very generous and comprehensive starting point. It seems strange to praise a collection of the music of Steve Reich from the standpoint of economics, so it should be mentioned that all of these Nonesuch recordings are, or were, state of the art when made and reflect Reich's intentions to a "T."
Rovi
収録内容

構成数 | 5枚

合計収録時間 | 06:10:52

録音 | ステレオ (---)

『STEVE REICH / PHASES 5枚組BOX SET』
≪Disc 1≫
●Music for 18 Musicians
≪Disc 2≫
●Different Trains ●Tehillim ●Eight Lines
≪Disc 3≫
●(You Are) Variations ●New York Counterpoint ●Cello Counterpoint ●Electric Counterpoint
●Triple Quartet
≪Disc 4≫
●Come Out ●Proverb ●Desert Music
≪Disc 5≫
●Music for Mallet Instruments, Voices, and Organ ●Drumming
    • 1.
      [CD]
      • 1.
        Music for 18 Musicians, for 4 female voices & 16 instruments~Pulses
      • 2.
        Music for 18 Musicians, for 4 female voices & 16 instruments~Section 1
      • 3.
        Music for 18 Musicians, for 4 female voices & 16 instruments~Section 2
      • 4.
        Music for 18 Musicians, for 4 female voices & 16 instruments~Section 3A
      • 5.
        Music for 18 Musicians, for 4 female voices & 16 instruments~Section 3B
      • 6.
        Music for 18 Musicians, for 4 female voices & 16 instruments~Section 4
      • 7.
        Music for 18 Musicians, for 4 female voices & 16 instruments~Section 5
      • 8.
        Music for 18 Musicians, for 4 female voices & 16 instruments~Section 6
      • 9.
        Music for 18 Musicians, for 4 female voices & 16 instruments~Section 7
      • 10.
        Music for 18 Musicians, for 4 female voices & 16 instruments~Section 8
      • 11.
        Music for 18 Musicians, for 4 female voices & 16 instruments~Section 9
      • 12.
        Music for 18 Musicians, for 4 female voices & 16 instruments~Section 10
      • 13.
        Music for 18 Musicians, for 4 female voices & 16 instruments~Section 11
      • 14.
        Music for 18 Musicians, for 4 female voices & 16 instruments~Pulses
    • 2.
      [CD]
      • 1.
        Different Trains, for double string quartet & tape~America - Before the war
      • 2.
        Different Trains, for double string quartet & tape~Europe - During the war
      • 3.
        Different Trains, for double string quartet & tape~After the war
      • 4.
        Tehillim, for 3 sopranos, alto, winds, strings, percussion & keyboards~Part 1: Fast
      • 5.
        Tehillim, for 3 sopranos, alto, winds, strings, percussion & keyboards~Part 2: Fast
      • 6.
        Tehillim, for 3 sopranos, alto, winds, strings, percussion & keyboards~Part 3: Slow
      • 7.
        Tehillim, for 3 sopranos, alto, winds, strings, percussion & keyboards~Part 4: Fast
      • 8.
        Eight Lines (revision of "Octet"), for chamber orchestra
    • 3.
      [CD]
      • 1.
        You Are (Variations), for chorus & ensemble~You are wherever your thoughts are
      • 2.
        You Are (Variations), for chorus & ensemble~Shiviti Hashem L'negdi (I place the Eternal before me)
      • 3.
        You Are (Variations), for chorus & ensemble~Explanations come to an end somewhere
      • 4.
        You Are (Variations), for chorus & ensemble~Ehmor m'aht, v'ahsay harbay (Say little and do much)
      • 5.
        New York Counterpoint, for clarinet, bass clarinet & tape~Fast
      • 6.
        New York Counterpoint, for clarinet, bass clarinet & tape~Slow
      • 7.
        New York Counterpoint, for clarinet, bass clarinet & tape~Fast
      • 8.
        Cello Counterpoint, for cello & pre-recorded tape (or 8 cellos)
      • 9.
        Electric Counterpoint, for electric guitar, bass guitar & tape~Fast
      • 10.
        Electric Counterpoint, for electric guitar, bass guitar & tape~Slow
      • 11.
        Electric Counterpoint, for electric guitar, bass guitar & tape~Fast
      • 12.
        Triple Quartet, for 3 string quartets~First Movement
      • 13.
        Triple Quartet, for 3 string quartets~Second Movement
      • 14.
        Triple Quartet, for 3 string quartets~Third Movement
    • 4.
      [CD]
    • 5.
      [CD]
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