Rock/Pop
CDアルバム

販売価格

¥
2,629
税込
還元ポイント

在庫状況 について

フォーマット CDアルバム
発売日 2006年09月04日
国内/輸入 輸入
レーベルRough Trade
構成数 1
パッケージ仕様 -
規格品番 RTRADCD295
SKU 5050159829521

構成数 : 1枚
合計収録時間 : 00:00:00
Once again, the amorous, shape-shifting, and occasionally naughty Toronto pop collective take the fey out of gay with an orchestra pit full of Brill Building cacophony that provides the kind of instantly gratifying retro-indie rock that has been their wine and cheese since 2003's Smell of Our Own. Joel Gibb and his army of Hidden Cameras don't stray far from the verse/chorus/verse/chorus audio font that made Mississauga Goddam such a summer road-trip necessity, but they do sound like more of a band now than a Gibb studio project. Awoo (like a coyote howl) is populated by pulse-quickening rockers like "Death of a Tune," the R.E.M.-inspired "Lollipop," and the anthemic "Learning the Lie"; chamber pop delicacies such as "The Waning Moon," "For Fun," and the gorgeous "Fee Fie"; and one seriously contagious title track. This is by far their most accessible and cohesive record yet, and despite a couple of well-meaning but ultimately derivative hiccups in its second half, Awoo should bring a much larger audience into the fold. Gibb's lyrics remain steeped in Freudian imagery, but his penchant for deviance -- there are no songs about pee this time around -- has surrendered to a broader and more poetic view of love, life, and the awful and beautiful things we do in the name of both. His initial branding of the band as the foremost purveyors of "gay church music" may be apt, but it's not as insular as it sounds, because with each new record he and his talented pit of vipers are building the kind a congregation that transcends how and with whom we fumble around in the back seat. Hallelujah! ~ James Christopher Monger

  1. 1.[CDアルバム]
    1. 1.
      Death Of A Tune

      アーティスト: The Hidden Cameras

    2. 2.
      AWOO

      アーティスト: The Hidden Cameras

    3. 3.
      She's Gone

      アーティスト: The Hidden Cameras

    4. 4.
      Lollipop

      アーティスト: The Hidden Cameras

    5. 5.
      Fee Fie

      アーティスト: The Hidden Cameras

    6. 6.
      Learning The Lie

      アーティスト: The Hidden Cameras

    7. 7.
      Follow These Eyes

      アーティスト: The Hidden Cameras

    8. 8.
      Heji

      アーティスト: The Hidden Cameras

    9. 9.
      Heaven Turns To

      アーティスト: The Hidden Cameras

    10. 10.
      Wandering

      アーティスト: The Hidden Cameras

    11. 11.
      For Fun

      アーティスト: The Hidden Cameras

    12. 12.
      Hump From Bending

      アーティスト: The Hidden Cameras

    13. 13.
      Waning Moon

      アーティスト: The Hidden Cameras

作品の情報

メイン
アーティスト: The Hidden Cameras

その他
プロデューサー: Joel Gibb

商品の紹介

Mojo - 3 stars out of 5 -- "[T]he Cameras' on-board string section seems ever more integral to Gibbs' songs..." Magnet - "If you buckle your knees at the sound of a perfect pop song, then no amount of risque lyrics should deter you from swooning over the crazy rhythms of the Hidden Cameras' fourth offering." Spin - 3 stars out of 5 -- "Backed by a flea-market chamber-pop orchestra and surprisingly danceable beats." Uncut - 4 stars out of 5 -- "[T]he melodies that carry them are beautiful, sung with a genuine fragility and less restricted by the orchestral overload of earlier releases." CMJ - "[W]ith flamboyant songs that are joyous instead of melancholic, Gibb actually merits a category all his own."
Rovi

Once again, the amorous, shape-shifting, and occasionally naughty Toronto pop collective take the fey out of gay with an orchestra pit full of Brill Building cacophony that provides the kind of instantly gratifying retro-indie rock that has been their wine and cheese since 2003's Smell of Our Own. Joel Gibb and his army of Hidden Cameras don't stray far from the verse/chorus/verse/chorus audio font that made Mississauga Goddam such a summer road-trip necessity, but they do sound like more of a band now than a Gibb studio project. Awoo (like a coyote howl) is populated by pulse-quickening rockers like "Death of a Tune," the R.E.M.-inspired "Lollipop," and the anthemic "Learning the Lie"; chamber pop delicacies such as "The Waning Moon," "For Fun," and the gorgeous "Fee Fie"; and one seriously contagious title track. This is by far their most accessible and cohesive record yet, and despite a couple of well-meaning but ultimately derivative hiccups in its second half, Awoo should bring a much larger audience into the fold. Gibb's lyrics remain steeped in Freudian imagery, but his penchant for deviance -- there are no songs about pee this time around -- has surrendered to a broader and more poetic view of love, life, and the awful and beautiful things we do in the name of both. His initial branding of the band as the foremost purveyors of "gay church music" may be apt, but it's not as insular as it sounds, because with each new record he and his talented pit of vipers are building the kind a congregation that transcends how and with whom we fumble around in the back seat. Hallelujah! ~ James Christopher Monger|
Rovi

メンバーズレビュー

レビューを書いてみませんか?

読み込み中にエラーが発生しました。

画面をリロードして、再読み込みしてください。