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Soul/Club/Rap
CDアルバム

Year Of The Dog Again

5.0

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フォーマット CDアルバム
発売日 2006年08月01日
国内/輸入 輸入
レーベルColumbia
構成数 1
パッケージ仕様 -
規格品番 82876807422
SKU 828768074220

構成数 : 1枚
合計収録時間 : 00:54:09
Personnel: DMX (rap vocals); Hanan Rubinstein, Rich Keller (guitar); Johnny Hirsch (saxophone); Flobewon (drums); Jadakiss, Amerie, Styles P , Swizz Beatz, Busta Rhymes. Audio Mixers: Dragan "Chach" Cacinovic; Rich Keller. Recording information: Lot Music Studios, White Plains, NY; Lot Musik Studios, White Plans, NY; Monza Studios, NY; Powerhouse Studios, Yonkers, NY; Sony Music Studios, New York, NY; The Hit Factory Criteria, Miami, FL; The Saltmine Studio Oasis, Mesa, AZ. Photographers: Dan Mandell; Mark Mann . Sorry Snoop, but contrary to popular belief, DMX is the man most directly responsible for making "dog" the new "dude." Since his explosive 1998 debut, IT'S DARK AND HELL IS HOT, DMX has been a force to be reckoned with. His ferocious flow and signature growl have made him one of the most consistently successful and frequently imitated vocalists in the rap game. After a three-year break (more than enough time for an MC who used to put out three CDs every two years), X returns with THE YEAR OF THE DOG...AGAIN. With amped-up synthesizer beats from Swizz Beats, Scott Storch, and Elite, X comes out hard from the gate and does what he does best--namely spitting hardcore lyrics with hooks that stick in your head all day. Overall, his seventh full length release follows the formula of his past success, and hard-hitting street anthems like "We In Here" and "Give 'Em What They Want" are tempered by softer, R&B-laced ballads like "Dog Love" and "Goodbye." Guest appearances abound from fellow MCs Busta Rhymes, Kashmir, Big Stan, Jinx, Jadakiss, and Styles P as well as R&B songstress Amerie.
録音 : ステレオ (Studio)

SWIZZ BEATZによるバンギンビートに咆えまったヒット・シングル「WE IN HERE」、SCOTT STORCHプロデュース、壮大なコーラスがドラマティックな「LORD GIVE ME A SIGN」はじめ、超ダーティーなストリート臭をプンプンと漂わせながらも(犬吠えあり)ガナるだけでなく、メロディアスに歌うフックもあってスキルの違いを見せつける強力盤!

  1. 1.[CDアルバム]
    1. 1.
      Intro

      アーティスト: DMX

    2. 2.
      We in Here

      アーティスト: DMX

    3. 3.
      I Run S***

      アーティスト: DMX

    4. 4.
      Come Thru (Move)

      アーティスト: DMX

    5. 5.
      It's Personal

      アーティスト: DMX

    6. 6.
      Baby Motha

      アーティスト: DMX

    7. 7.
      Dog Love

      アーティスト: DMX

    8. 8.
      Wrong or Right (I'm Tired)

      アーティスト: DMX

    9. 9.
      Give 'Em What They Want

      アーティスト: DMX

    10. 10.
      Walk These Dogs

      アーティスト: DMX

    11. 11.
      Blown Away

      アーティスト: DMX

    12. 12.
      Goodbye

      アーティスト: DMX

    13. 13.
      Life Be My Song

      アーティスト: DMX

    14. 14.
      The Prayer VI

      アーティスト: DMX

    15. 15.
      Lord Give Me a Sign

      アーティスト: DMX

作品の情報

メイン
アーティスト: DMX

ゲスト
アーティスト: Swizz Beatz

その他
プロデューサー: Elite

商品の紹介

Rolling Stone (p.98) - 3 stars out of 4 -- "[The album] thrives on a classic formula: Swizz Beatz's compressed, head-drilling fanfares and DMX's adrenalized, gland-chewing rhymes." Entertainment Weekly (p.68) - "When consumed by paranoia and spiritual crises, DMX can still play the conflicted protagonist with conviction." -- Grade: B XXL (Magazine) (p.173) - "Clearly, X's poetic touch remains intact."
Rovi(2009/04/08)

DMX released his sixth album three weeks after the first episode of his BET reality program, DMX: Soul of a Man. If the first five albums and the string of well-publicized run-ins with the law didn't make it obvious that the man is a live wire of nerves and predictable unpredictability, the program exacerbated his larger-than-life persona while also making him seem more human. As for Year of the Dog...Again? It's more of the same old, same old: a lot of anger, torment, and put-downs over rallying and drama-filled productions from Swizz Beatz, Dame Grease, Scott Storch, and a handful of others. The status quo from track to track is as fatiguing here as it was on The Great Depression and, as usual, the targets of DMX's barbs and the specifics of his troubles are often vague -- it's possible he assumes the listener either tracks his every breath or will relate if the lyrics are open-ended, but it's even more likely that he's venting in an uncalculated way. The low point of the album is "Baby Motha," where he complains about being stuck with a woman (because they had a kid together) he doesn't like and then rails against the same woman (?) who has the audacity to split (with their kid) when things get tough -- so, regardless of what happens, he is screwed, and he even gets Janyce to sing one of the most self-flagellating hooks imaginable. With little to differentiate it from his past work, and with his life seeming more like an unbreakable cycle than a journey, the album will be of lasting value only to those who can't get enough of the MC's unflinching outrageousness. That said, it's hard to disregard him completely when he comes up with compelling tracks like "Lord Give Me a Sign" and remains powerful enough to drown out Swizz Beatz's interjections on juiced tracks like "We in Here" and "Come Thru (Move)." ~ Andy Kellman
Rovi

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黒いカリスマ完全復活!今までのアルバムで1番アップテンポな曲が多く、個人的には復帰作にして最高のアルバムです。犬吠えも随所にあって、とにかくすげーいいです!
2006/08/04 バツさん
0

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