Send In The Clowns [8/1]

構成数 : 1枚
合計収録時間 : 00:55:00
Personnel: Sarah Vaughan (vocals); Dann Huff, George Van Eps, Tommy Tedesco (guitar); Verlye Mills, Gayle Levant, Dorothy Remsen (harp); Sam Freed, Frederick Buldrini, Wilbert Nuttycombe, George Kast, Shari Zippert, Dorothy Wade, Herman Clebanoff, R. Hill, Thelma Beach, Carl LaMagna, Marvin Limonick, Glenn Dicterow, Robert Sanov, Anatol Kaminsky, Bill Hybel, Erno Neufeld, Irving Geller, Joseph Goodman, George Berres, Shirley Cornell, Alex Murray, Sylvan Shulman, Zelly Smirnoff, Marilyn Graham, Jean Hugo, Bernie Kundall, Connie Kupka, Ronald Folson, Howard Kay, Arthur Zadinsky, Joe Stepansky, Jay Rosen, Mort Herbert, Israel Baker, Arnold Belnick, Barry Socher, Gordon Marron Strings (violin); Kenneth Burward-Hoy, Meyer Bello, Gareth "Garry" Nuttycombe, Rollice Dale, Alex Nieman, Robert Ostrowsky, Mary Newkirk, Isadore Zir, Marilyn Baker, Allan Harshman, Virginia Majewski, Ralph Schaeffer, Milton Thomas (viola); Ron Cooper, David H. Speltz, Emmet Sargeant , Fred Seykoura, Maurice Brown , Suzie Katayama, Larry Corbett, Edgar Lustgarten, Ray Kramer, Jesse Ehrlich, Todd Hemmenway, Marie Fera (cello); Arnold Koblentz (oboe); Bernard Fleischer, Jerome Richardson, Pete Christlieb, Bill Hood, Bob Cooper, Bud Shank (woodwinds); Harry Terrill, Henry Roos, Harry Lawson , Leonard Hartman, Don Lodice, Bernard Kaufman, Babe Russin, Wolfe Taninbaum, Fred Stulce, Harold Feldman (saxophone); Ernie Watts (alto saxophone, tenor saxophone); Chuck Findley, Conte Candoli, Melvin "Red" Solomon, Rubin Zarchy, Gary Barone, Frank Fletcher-Beach, Gordon Griffith, Ziggy Elman, Jimmy Maxwell, Al Aarons, Buddy Childers (trumpet); Arthur Maebe, William Hinshaw, Richard Perissi, Ralph Pyle, George Price, Dick Macker, Vincent DeRosa, Sinclair Lott (French horn); Allan W. Thompson, William Schaefer, John d'Agostino, Frank Rosolino, George Roberts , Grover Mitchell & His Orchestra, Elmer Smithers, Muni Morrow, Charles Loper, Bob Knight, Lloyd Ulyate (trombone); Tommy Johnson (tuba); Carl Schroeder, Henry Rowland, Milt Raskin, George Gaffney (piano); Artie Kane, Mike Wofford (keyboards); Ray Brown (upright bass); Chuck Rainey (electric bass); Alphonso Johnson (bass guitar); John Guerin, Nick Fatool, Harold Jones , Norris "Bunny" Shawker, Carlos Vega (drums); Larry Bunker, Paulinho Da Costa (percussion); Dori Caymmi (guitar); Dave Grusin, George Duke (keyboards); Jimmy Cobb , Shelly Manne (drums). Recording information: A&M Recording Studios And Motown (01/20/1949-02/??/1987); Dorothy Chandler Auditorium, Los Angeles, CA (01/20/1949-02/??/1987); Hitsville U.S.A. Recording Studios, Los Angeles, CA (01/20/1949-02/??/1987); Los Angeles, CA (01/20/1949-02/??/1987); New York, NY (01/20/1949-02/??/1987); Sun Plaza Hall, Tokyo, Japan (01/20/1949-02/??/1987); Transamerica Studio, Rio De Janeiro, Brazil (01/20/1949-02/??/1987). Arrangers: Dori Caymmi ; Marty Paich; Michel Legrand; Paul Weston; Paul Griffin . The Very Best of Sarah Vaughan? There's respectable music on the 13 tracks selected for this compilation, Send in the Clowns: The Very Best of Sarah Vaughan, but no knowledgeable jazz fan would find that an accurate label. Considering her recording career spanned more than 40 years, the selections cover ridiculously fragmentary slices of her body of work for something bearing a "very best of" title. There are just two cuts predating the early '70s ("Black Coffee" and "Vanity," from the late '40s and early '50s); most of the rest was done between 1972 and 1974, with three '80s recordings closing the disc. Nor would many fans consider her mainstream pop cover of "Send in the Clowns" a Vaughan highlight. Though not as unpalatable, her live 1982 cover of "I've Got a Crush on You/Foggy Day," and the two cuts from her 1987 Brazilian Romance album, likewise are hardly close to the most essential tracks she laid down. Otherwise, the material's taken from live 1973 Tokyo performances and her lushly orchestrated 1972 Sarah Vaughan with Michel Legrand record. There are, of cou
録音 : ステレオ (Studio/Live)