Rock/Pop
CDアルバム

Stonedhenge

0.0

販売価格

¥
2,399
税込
ポイント15%還元

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 1999年07月26日
国内/輸入 輸入
レーベルBGO
構成数 1
パッケージ仕様 -
規格品番 BGOCD356
SKU 5017261203564

構成数 : 1枚
合計収録時間 : 00:34:22
This is their third album, prepared for CD from the original master tapes. Personnel: Alvin Lee (vocals, guitar, harmonica, piano, percussion, sound effects); Mike Vernon (vocals); Chick Churchill (piano, celesta, organ, keyboards, drums); Leo Lyons (bass guitar, sound effects); Ric Lee (drums, timbales, timpani, sound effects); Simon Stable (bongos, percussion); Count Simon DeLaBedoyere (bongos); Roy Baker (sound effects). Liner Note Authors: John Tracy ; Mark Chatterton; Mike Vernon. Arranger: Ric Lee. "I'm Going Home" from Ten Years After's previous release put them on the charts, at least in the U.K. (the band's U.S. breakthrough was at Woodstock a year after its release), but the four-piece was already experimenting with ways to expand their basic boogie rock template. Stonedhenge was the result, as producer Mike Vernon helped steer the band into a more jazz- and blues-oriented direction. That's especially evident in the swinging "Woman Trouble," but this set is generally more prone to broadening the sound without losing TYA's basic concept. It doesn't always gel -- the four short pieces that feature each musician alone on their instrument is an interesting idea that ends up as a distraction -- yet the album boasts some terrific performances by a group that was hitting its peak. Canned Heat, who TYA supported in America and who were also trying to push their own boogie envelope, were a big influence, born out by the very Heat-sounding "Hear Me Calling." Alvin Lee keeps his fleet fingers in check, preferring to work his style into a more organic fusion. Tracks such as the creeping "A Sad Song" successfully build tension without the need for speedy guitar solos. The eight-minute "No Title" takes the basic TYA blueprint but slowly creates a moody atmosphere for three minutes until Lee cranks out a terse, loud extension on its main riff that sets the stage for Chick Churchill's eerie organ solo. The quartet and their producer also experimented with primitive panning and tape manipulation to impressive results. The closing "Speed Kills" returns TYA to its basics, perhaps as a way to let its existing fans know they can still churn out the rocking when needed. The album was remastered and expanded in 2002 by adding informative liner notes from drummer Ric Lee, four extra tracks including the tiresome, 15-minute "Boogie On," and an edited single version of "I'm Going Home," U.K. artwork (the initial U.S. edition was an embarrassing botch job), and pristine sound from the original tapes. ~ Hal Horowitz

  1. 1.[CDアルバム]
    1. 1.
      Going to Try

      アーティスト: Ten Years After

    2. 2.
      I Can't Live Without Lydia

      アーティスト: Ten Years After

    3. 3.
      Woman Trouble

      アーティスト: Ten Years After

    4. 4.
      Skoobly-Oobly-Doobob

      アーティスト: Ten Years After

    5. 5.
      Hear Me Calling

      アーティスト: Ten Years After

    6. 6.
      Sad Song, A

      アーティスト: Ten Years After

    7. 7.
      Three Blind Mice

      アーティスト: Ten Years After

    8. 8.
      No Title

      アーティスト: Ten Years After

    9. 9.
      Faro

      アーティスト: Ten Years After

    10. 10.
      Speed Kills

      アーティスト: Ten Years After

作品の情報

メイン
アーティスト: Ten Years After

商品の紹介

Ten Years After's third album is one of those artifacts that simply screams late '60s, which is to say its production is more than a little trippy, and it's also all over the stylistic map. "I Can't Live Without Lydia", for example, features keyboardist Chick Churchill making vaguely Brubeck-ian noises on up to four overdubbed pianos simultaneously. The next track, "Skoobly-Ooobly-Doobob", is a brief scat blues improvisation with guitar hero Alvin Lee playing and singing in unison, as Ric Lee's drums, just barely audible, putter about in both stereo channels seemingly at random.
The album's centerpiece, of course, is "Hear Me Callin'", a sort of psychedelic take on John Lee Hooker-style blues complete with fashionable phasing effects (it was a substantial radio hit). However, true fans justifiably swear by the 55-second percussion version of "Three Blind Mice" that follows.|
Rovi

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