Rock/Pop
LPレコード

Ogden's Nut Gone Flake

4.5

販売価格

¥
4,090
税込
還元ポイント

廃盤

在庫状況 について

フォーマット LPレコード
発売日 2008年10月14日
国内/輸入 輸入
レーベルGet Back
構成数 1
パッケージ仕様 -
規格品番 GEB55001
SKU 8013252765506

構成数 : 1枚
合計収録時間 : 00:00:00
Picture Disc
The Small Faces: Steve Marriott (vocals); Ronnie Lane (guitar); Ian McLagen (bass); Kenney Jones (drums). The Small Faces: Steve Marriott (vocals); Ronnie Lane (guitar); Ian McLagen (bass); Kenney Jones (drums). The Small Faces: Steve Marriott (vocals); Ronnie Lane (guitar); Ian McLagen (bass); Kenney Jones (drums). This release features a special gatefold die-cut LP-style CD sleeve. The Small Faces: Steve Marriott (vocals); Ronnie Lane (guitar); Ian McLagen (bass); Kenney Jones (drums). U.K. mod legends the Small Faces showcase the upbeat and tuneful songs that made them famous on this seminal release. Having begun their career as the archetypal Mod band, the Small Faces latterly embraced traces of flower-power's whimsy. Astute enough not to sacrifice their identity, the quartet retained a distinctive perspective, as evinced by a string of superb pop singles, including "Here Comes The Nice" and "Itchycoo Park." A sense of pop melody and adventurism culminated on this album which encompassed tongue-in-cheek fun ("Lazy Sunday") and passionate love songs ("Afterglow"). Steve Marriott's voice remains completely self-assured and the group's characteristic organ-based swell is often enhanced by P.P. Arnold's emotional backing vocals. Eccentric comedian Stanley Unwin narrates the concept suite "Happiness Stan," but the music is strong enough to withstand the novelty tag. OGDENS' NUT GONE FLAKE was the Small Faces' swan-song, at least until an ill-starred reunion, but it proved a fitting end to a golden era.

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作品の情報

メイン
アーティスト: Small Faces

オリジナル発売日:1968年

商品の紹介

Rolling Stone (10/12/68, p.28) - "...the brightest and craziest rock in too long of a time....Both sides of OGDEN magically transport the listener to equally worriless and problemless places....Everybody owes it to themselves to get this record and be refreshed...." Rolling Stone (10/12/68, p.28) - "...the brightest and craziest rock in too long of a time....Both sides of OGDEN magically transport the listener to equally worriless and problemless places....Everybody owes it to themselves to get this record and be refreshed...." Rolling Stone (10/12/68, p.28) - "...the brightest and craziest rock in too long of a time....Both sides of OGDEN magically transport the listener to equally worriless and problemless places....Everybody owes it to themselves to get this record and be refreshed...." Rolling Stone (10/12/68, p.28) - "...the brightest and craziest rock in too long of a time....Both sides of OGDEN magically transport the listener to equally worriless and problemless places....Everybody owes it to themselves to get this record and be refreshed...." Q (p.127) - 3 stars out of 5 -- "[With a] curious mix of frivolity and sincerity..." Q (6/00, p.69) - Ranked #59 in Q's "100 Greatest British Albums" - "...Totally braking...their third and final album. The 2nd side is where things get seriously weird: a loose song cycle about 'Happiness Stan' and his search for themissing half of the moon..." Q (6/00, p.69) - Ranked #59 in Q's "100 Greatest British Albums" - "...Totally braking...their third and final album. The 2nd side is where things get seriously weird: a loose song cycle about 'Happiness Stan' and his search for themissing half of the moon..." Q (6/00, p.69) - Ranked #59 in Q's "100 Greatest British Albums" - "...Totally braking...their third and final album. The 2nd side is where things get seriously weird: a loose song cycle about 'Happiness Stan' and his search for themissing half of the moon..." Q (6/00, p.69) - Ranked #59 in Q's "100 Greatest British Albums" - "...Totally braking...their third and final album. The 2nd side is where things get seriously weird: a loose song cycle about 'Happiness Stan' and his search for themissing half of the moon..." Uncut (p.94) - "OGDENS' is a deceptively soulful, searching record. The voguish surrealism and theatricality is plugged into earthy humanity." Uncut (9/01, p.97) - 5 stars out of 5 - "...[An] unequivocal Sixties classic..." Uncut (9/01, p.97) - 5 stars out of 5 - "...[An] unequivocal Sixties classic..." Uncut (9/01, p.97) - 5 stars out of 5 - "...[An] unequivocal Sixties classic..." Uncut (9/01, p.97) - 5 stars out of 5 - "...[An] unequivocal Sixties classic..."
Rovi

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2件のレビューがあります
4.5
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4週連続チャートの1位に輝いた彼らの最高傑作にして60年代UKロックを代表する歴史的名盤。A面に強力なナンバーを並べ、B面はハピネス・スタンなる人物の物語という構成はまさに時代を象徴するコンセプト・アルバム。グルーヴィーなインスト⓵が終わったあとに、マリオットの黒い喉が炸裂する⓶の流れが感動的だ。

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THE WHOと並ぶロンドンモッズのヒーロー。でも彼らの方が黒っぽい(スティーブ・マリオットの影響か?)。この頃の彼らはまさに油がのった時期でどの曲も完成度は高い。でもTHE WHO同様日本での知名度は今一なんだよねぇ。
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