Carioca

構成数 : 1枚
合計収録時間 : 00:36:48
Personnel: Luiz Claudio Ramos (guitar); Chico Faria (bandolim); Ze Menezes (banjo); Daniel Guedes, Mateus De Castro, Carla Rincon, Antonella Pareschi, Gustavo Menezes, Felipe Prazeres, Rick Amado, Bernardo Bessler, Michel Bessler (violin, sound effects); Jesuina Noronha Passaroto, Ricardo Taboada, Eduardo Pereira (viola); Alceu Reis, Iura Ranevsky (cello); Marcelo Bernardes (flute, clarinet, tenor saxophone); Marcelo Bonfim, Franklin daFlauta, Celso Porta Woltzenlogel, Andrea Earnest Dias (flute); Gabriel Grossi (gaita); Dominguinhos (accordion); Marcos Nimrichter (musette); Dirceu Leite, Paulo Sergio Santos (clarinet); Marcelo Martins (alto saxophone, tenor saxophone); Ze Canuto, Idriss Boudrioua (alto saxophone); Henrique Band (baritone saxophone); Altair Martins, Philip Boyle, Jailson Araujo (trumpet); Vittor Santos, Joao Luiz Areias, Aldivas Ayres, Sergio De Jesus (trombone); Daniel Jobim, Joao Reboucas, Itamar Assiere (piano); Jorge Helder (acoustic bass); Toni Botelho, Denner Campolina (double bass); Celso Silva (pandeiro); Chico Batera, Trambique, Marcos Suzano (percussion). Recording information: 09/2005-03/2006. Photographer: Bruno Veiga. Arrangers: Luiz Claudio Ramos; Paschoal Perrota. Chico Buarque is something of a hero of the arts in Brazil, where he is a tremendously popular and celebrated singer, songwriter, poet, and playwright, and is generally recognized as one of the formative influences on modern Brazilian pop music. Although he has released 26 albums at home and written more than a dozen film soundtracks, he rarely performs in the U.S., and this appears to be his first North American CD release. It's conceived as a tribute to his hometown of Rio de Janeiro, and consists of exquisitely gentle sambas, bossas, and other jazzy pop compositions, most of them featuring subtle but complex arrangements by his producer and collaborator, Luiz Claudio Ramos. The sounds are almost all acoustic, though at times they sound electronic -- what sounds charmingly like a cheap Casio keyboard rhythm on "Suburbio" is actually a very precisely tapped tambourine, for example. "Outros Sonhos" opens with some startlingly sophisticated and beautiful wind writing, which segues into a soft and regretful lyric. "Dura Na Queda" and "As Atrizes" both swing jazzily, and "Ode Aos Ratos" flirts with rock (and even features a sort of rap interlude). Only "Leve" and "Imagina," both of them just a little bit too melodically thin and rhythmically wimpy, fall short of brilliant. (The package includes a DVD documentary on the making of the album.) Recommended. ~ Rick Anderson
録音 : ステレオ (Studio)