クラシック
CDアルバム

VIVALDI :GLORIA/STABAT MATER:ANDREW PARROTT(cond)/TAVENER PLAYERS

0.0

販売価格

¥
1,859
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2006年07月03日
国内/輸入 輸入
レーベルVirgin Classics
構成数 1
パッケージ仕様 -
規格品番 VM3647992
SKU 094636479927

構成数 : 1枚
合計収録時間 : 01:07:30

【曲目】
ヴィヴァルディ:
 グローリア
 スターバト・マーテル
【演奏】
アンドルー・パロット(指揮)、タヴァナー・プレイヤーズ

Antonio Vivaldi:
 1 Kyrie ‘cum jubilo’ (canto gregoriano)
Gloria RV 589
 2 I Gloria in excelsis Deo
 3 II Et in terra pax
 4 III Laudamus te
 5 IV Gratias agimus tibi
 6 V Propter magnam gloriam tuam
 7 VI Domine Deus
 8 VII Domine Fili unigenite
 9 VIII Domine Deus, Agnus Dei
 10 IX Qui tollis peccata mundi
 11 X Qui sedes ad dexteram Patris
 12 XI Quoniam tu solus Sanctus
 13 XII Cum Sancto Spiritu
 14 Sinfonia ‘al Santo Sepolcro’ RV 169
 15 Laetatus sum RV 607 (Salmo 121)
 16 Hymnus, Ave maris stella (canto gregoriano)
Magnificat RV 610b
 17 I Magnificat anima mea
 18 II Et exultavit
 19 III Et misericordia
 20 IV Fecit potentiam
 21 V Esurientes implevit bonis
 22 VI Suscepit Israel
 23 VII Sicut locutus est
 24 VIII Gloria Patri
 25 Antiphona, Salve Regina (canto gregoriano)
 26 Laudate Dominum omnes gentes RV 606 (Salmo 116)
 27 Sonata ‘al Santo Sepolcro’ RV 130
 28 In exitu Israel RV 604 (Salmo 113)

Emily Van Evera soprano 4, 7, 18, 21, 23
Nancy Argenta soprano 18, 21
Alison Place mezzo-soprano 4, 18, 23
Catherine King mezzo-soprano 23
Margaret Cable contralto 9, 11, 20
Taverner Choir and Players
Andrew Parrott

  1. 1.[CDアルバム]
    1. 1.
      Kyrie "cum jubilo"

      アーティスト: アノニマス

    2. 2.
      Gloria in D major, RV 589

      アーティスト: アノニマス

    3. 3.
      Sinfonia for Strings in B minor, RV 169 "al Santo Sepolcro"

      アーティスト: アノニマス

    4. 4.
      Laetatus sum, RV 607

      アーティスト: アノニマス

    5. 5.
      Ave maris stella

      アーティスト: アノニマス

    6. 6.
      Magnificat in G minor, RV 610b

      アーティスト: アノニマス

    7. 7.
      Salve Regina [Medieval]

      アーティスト: アノニマス

    8. 8.
      Laudate Dominum in D minor, RV 606

      アーティスト: アノニマス

    9. 9.
      Concerto for Strings in E flat major, RV 130 "Sonata al Santo Sepolcro"

      アーティスト: アノニマス

    10. 10.
      In exitu Israel in C major, RV 604

      アーティスト: アノニマス

作品の情報

商品の紹介

Nothing on the exterior packaging of this disc of Vivaldi choral works gives the potential buyer a clue as to the unusual quality of the performances of the celebrated Gloria, RV 589, the Magnificat, RV 610b, and other choral works contained therein. Conductor Andrew Parrott and his Taverner Choir and players set themselves the task of answering a puzzling question: given that these works were likely written for Vivaldi's all-girl choir at the Ospedale della Pieta, the orphanage where he served as music director, how were the tenor and bass parts performed? The girls were segregated from males, except for Vivaldi himself. The disc represents an attempt at an "authentic" reproduction of how the Ospedale choir sounded to its celebrated visitors, including the oversexed Jean-Jacques Rousseau, who apparently talked his way past the iron grillwork that separated the singers from the audience and wrote that he "felt a shiver of love such as I had never felt before." Rousseau and numerous other observers wrote about Vivaldi's choir, and none ever mentioned hearing women sing in unusually low voices. Parrott reasons, therefore, that the tenor and bass parts were transposed up an octave, resulting in a texture with two soprano and two alto parts, and that the usual SATB version was intended for sales to performers at other venues. It's definitely odd hearing the Gloria sung this way; the voice parts cross, and the work's big soprano lines seem crowded. Still, the performance, which is interspersed with pieces of Gregorian chant, represents an interesting historical exercise. And the Magnificat, with more passages of homophonic texture, and some of the disc's single-movement pieces work much better. (Of course it's possible that Vivaldi devised different transposition solutions for different works.) The Taverner Choir adopts an airy tone that can easily enough be imagined to be that of a group of teenage girls. The same can't be said of the four soloists, mature singers whose sound contrasts sharply with that of the choir. Youthful, light-voiced singers would have been a better fit for Parrott's concept. Let the buyer sample and beware, but this is one Vivaldi Gloria that certainly stands out from the huge crowd of recordings of the work.
Rovi

メンバーズレビュー

レビューを書いてみませんか?

読み込み中にエラーが発生しました。

画面をリロードして、再読み込みしてください。