Country/Blues
CDアルバム

Steppin' In The Boiler House

0.0

販売価格

¥
3,490
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2008年07月10日
国内/輸入 輸入
レーベルRounder Records
構成数 1
パッケージ仕様 -
規格品番 ROUND0559
SKU 011661055926

構成数 : 1枚
合計収録時間 : 00:50:37

  1. 1.[CDアルバム]
    1. 1.
      Rig Root

      アーティスト: Mark Schatz

    2. 2.
      The Falling Waters of Arden

      アーティスト: Mark Schatz

    3. 3.
      Cajun Stomp

      アーティスト: Mark Schatz

    4. 4.
      Eileen's Waltz

      アーティスト: Mark Schatz

    5. 5.
      Last Old Dollar

      アーティスト: Mark Schatz

    6. 6.
      Season of Joy

      アーティスト: Mark Schatz

    7. 7.
      Lennie's Misfortune

      アーティスト: Mark Schatz

    8. 8.
      Steppin' in the Boiler House

      アーティスト: Mark Schatz

    9. 9.
      Calgary

      アーティスト: Mark Schatz

    10. 10.
      Robindale/Slate

      アーティスト: Mark Schatz

    11. 11.
      The Devil's Game

      アーティスト: Mark Schatz

    12. 12.
      Chelsea Town

      アーティスト: Mark Schatz

    13. 13.
      Stay All Night

      アーティスト: Mark Schatz

    14. 14.
      Black Mountain Aire

      アーティスト: Mark Schatz

作品の情報

メイン
アーティスト: Mark Schatz

その他
プロデューサー: Bela Fleck

商品の紹介

Listening to banjo player Mark Schatz cut loose on "Big Root," it's easy to imagine he learned the song from some old-time banjo player years ago. It's a surprise, then, to learn that Schatz wrote this -- and most of the other songs -- on the album. It's also a surprise to learn that Schatz, known for his clawhammer banjo style, was born in 1955, making him fairly young for someone interested in the older styles of music. He's joined on Steppin in the Boiler House by bassist Missy Raines, guitarist Jim Hurst, and fiddler Casey Driessen, plus a number of well-known guests including Tim O'Brien and Jerry Douglas. These guest appearances also point to the fact that while Schatz may enjoy traditional roots music, he nonetheless keeps himself open for new sounds. With "The Falling Waters of Arden," for instance, he captures a lovely, gentle mood, and his banjo work is much closer to new acoustic music than to bluegrass. This is also true of "Eileen's Waltz," though the "waltz" timing gives the instrumental a traditional feel. While there are fine vocals on Steppin in the Boiler House (O'Brien does a nice job with "Last Old Dollar"), it's instrumentals like "Season of Joy" and "Calgary" that really stand out. Schatz has avoided the sophomore slump on Steppin in the Boiler House, and delivered another fine album for acoustic music fans. ~ Ronnie D. Lankford, Jr.
Rovi

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