Araki

2003年に発売された前作『meguro』が好評なセールスを記録した日本人アーティスト、タカシ・ワダ待望の新作！今回も、建築、都市、風景、動物、人間など日常のサウンドをテーマにしているのですが、本作ではより純粋な感情表現を探究し、アーティスト本人の自己の可能性に挑んだという内容。タイトルの『araki』は、他界してしまったアーティストの祖父の名前で、アルバム全体のインスピレーションも「死」からきている。デトロイト・テクノやジャズ、アートロックなどアーティストが影響を受けた音楽のエッセンスを混ぜつつつも、小気味の良いビートとエモーショナルなメロディーがどこまでも心地よく広がるエレクトロニカ・サウンド。ところどころに亡くなったお祖父さんへの思いが感じられる、とてもパーソナルで美しい作品。

Takashi Wada's second album is a gently cinematic electronic effort that suggests a somewhat logical endpoint of laptop IDM meeting with elegant mood music: it's not unique in and of itself but it shows how readily the harsher roots of a sound can be sublimated into an earlier tradition to create something equally appealing. The crisp, sometimes hyperactive beats through Araki are kept low enough in the mix to be more of a skittering shade to the songs while lead instrumentation consists of a more traditional variety, especially in comparison to Wada's earlier album, Meguro. "Araki's Dream" is a good example of this, with piano and trumpet taking the lead in a way that suggests everything from Chet Baker to Harold Budd while brisk drum hits and the slightest suggestion of glitch keep the pace going in the background. Some songs, like "The Old Man Looks at the Window" have a more smoothly flowing disco beat approach that works in the vein of acts like Saint Etienne or Color Filter; "To Dance with the White Dog" even busts out some perfect chicken scratch guitar, while towards the end it turns into a synth/beat approach that's in the purest Field Mice-in-New Order worshipping mode. When Wada removes the beats entirely, the results are enjoyable enough, as on "Lost Land," but less distinct, like a more familiar form of short ambience that is pleasant but passes quickly; on another tip, "Memory of John Astor" plays with a dub beat that's nice but, again, is less involving than it could be, and at almost ten minutes, it's a bit much. Wada deserves credit as well for understated surprises: the stuttering shuffle on "True Connection" some minutes into the song keeps it from ending on the smoothly flowing note it's otherwise established. ~ Ned Raggett