y the time the Gibb brothers rolled into the '90s, they'd been through everything from Beatlesque baroque pop to disco and Philly soul. There are elements of all these styles in the eminently adaptable band's sound on SIZE ISN'T EVERYTHING, but the overriding feel is one of high-production '90s pop, with smooth layers of synthesizer and generous amounts of reverb. Those who remain fixated on the days of "To Love Somebody" might not find a point of entry here. However, Bee Gees fans whose raisons d'etre are the group's distinctive three-part harmonies and subtly inventive songwriting will have no trouble discerning in this album the stylistic thread linking it to the band's glory days.|
Rovi